| Summary: | 碩士 === 實踐大學 === 工業產品設計研究所 === 91 === The focus in this study is to further discuss the impacts of how the sensuous effects of materials adopted in products design have replaced the one dominant function-oriented approach along with the issue of how sensual and imaginative satisfactions derived from those effects；the elevation from the materialized aspect of the design into a new domain where spiritual abstraction is gaining around. In a market when the products differentiations are rapidly reduced due to mass production, how can product designers transform their understandings and interpretations of attributes of materials , sensational experiences , and cultural characteristics into designing originalities is getting more and more imperative .
The projected image of texture, one of the most essential elements of product design originality, is the major topic we will discuss in this thesis. From the studies of literatures and practices, we concluded the developmental elements of product design originality and the essentials exhibited from the projected images of texture. By using the texture as the interface between products and sensational images of consumers, some design techniques were performed in order to break the conventional thinking came with the products and inject new originalities into the product design. Finally, a thinking model of design originality from the “projected images of texture” was introduced and its practicability was also confirmed from the implementation and interviews. We expect that this model could be helpful for the establishments of designer’s originalities.
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