The Thinking of Entanglement

• Main Authors: Lai,Shin-Shan, 賴欣珊
• Other Authors: Sun,Jai-Chin
• Format: Others
• Language: zh-TW
• Published: 2002
• Online Access: http://ndltd.ncl.edu.tw/handle/92055516154420465110

碩士 === 中國文化大學 === 藝術研究所 === 91 === The Thinking of Entanglement University & Department: The Fine Art Division, Graduate Institute of Art, Chinese Culture University Adviser: Sun, Jai-Chin Student: Lai, Shin-Shan Date: December 2002 Abstract In view of the creation experience, the fusion of inclination and imagery is the revelation of my inside true feelings and vitalities, which is indeed a process of pouring the real life experience into the work I have been engaged in. What kind of the feeling is the driving force to attract me to make development? The pouring of the life force is not to painstakingly distort the facts and to make exaggerated additions but is to internalize silently instead. This is as if a process of a challenge to myself, examining that how much endurance I could have. Only with the individual having the self-conscience to be able to feel self that the whole process will become true and concrete. Therefore, I would like to search an everlasting force from the inside of me to intricately organize the myriad ramifications of my thoughts by attempting to use the lines to express my complicated feelings and to slowly blend my inside sentiments with the exterior image into one. Painting, to the individual, is a kind of recognition, reflection and expression. It is a life value transformed from the life experience and the recognition of feelings as displayed by the method of pen and ink. Such experience without intensive attentions enables me to see through the extraordinary imagery revealed from the normal scene of the daily life. As for my personal creations, what I want to achieve is to create the streaks that could show my feelings, a kind of continuous and expanding forces, which could have the streaks obtain the perpetual life for slowly expanding into the world of the paintings and transforming the consciousness of the body into the spiral lines. Therefore, the ideal artistic conception shall be that I am just like the streaks in the painting to be able to fly wantonly in the space of my creations. The subject of this research is to study my personal creations and the methodology will be relied upon the spirits of doing research and conducting investigation to establish the concise and clear basis of theory. Chapter 1 “Introduction”, it is to briefly introduce why my personal would regard” the thinking of entanglement” as the origin of the creation and explain the methodology and the scope of this research. Chapter 2 “The motivation of the creation”, it is to further analyze my inner recognitions of the ideology and the thoughts of the body in order to naturally expand my intimate understandings and practices. This will enable me not confine myself into the shapes by visual impressions but could completely express my thoughts into the work. Chapter 3 The concept of the creation for “the thinking of entanglement”, it is to accumulate my personal aesthetic perceptions from the impacts of the Taoism and the Zen by way of the inspirations from the artistic ancestors as to further investigate the reflection of my feelings and sentiments. The investigation of the meanings and the thoughts hidden into the streaks of my paintings to be expressed is to be regarded as my personal belief of creation. Chapter 4 “The investigation on the meanings of the paintings for my personal frame of minds”, It is to refer to the factors having great influences on me by forcing “myself” to face ”the history” as to sincerely and genuinely to face and state the above Chapter 3 for the purpose of clarifying and explaining the expressions of my feelings from the paintings, the self-recognitions, the attitudes of my creations and the concept to be presented by the paintings. Chapter 5 “The content and the analysis and appreciation of the creations”, it is to further explain the content and the concept of the creation separately in detailed. Chapter 6 “The introspection and the prospect of the creation”, it is to brief the self-criticism and the expectations to myself.