Hong Kong．Politics．fascinating walker─Research Novels of Huang Bi-Yun

• Main Authors: Hou Li-Zhen, 侯麗貞
• Other Authors: Fan Ming-Ru
• Format: Others
• Language: zh-TW
• Published: 2002
• Online Access: http://ndltd.ncl.edu.tw/handle/19828146905141078762

碩士 === 淡江大學 === 中國文學系 === 90 === Title of Thesis Hong Kong．Politics．fascinating walker─Research Novels of Huang Bi-Yun Total pages:130 Key word: Huang Bi-Yun; Hong Kong Literature ;A century ofend;City; Zhang Ai-Ling;The female writing;lesbian; National allegory Name of Institute: Graduate Institute of Chinese Literature,Tamkang University Graduate date: June,2002 Degree conferred:Master Name of student: (In Englis)Hou Li-Zhen Advisor:Fan Ming-Ru Double space (In Chinese)侯麗貞 Abstract:Of the most outstanding writers in Hong Kong, Huang Bi Yun is the female one with the most literary achievements. She never conventionalizes or shows off the tender characteristics of women. She challenges the capacity of her own again and again with the bloody writing style of fierceness. The writer also opens a new broad writing world which surpassing sex, humanity and national boundaries. In other words, she throws away the restraint of morals and doctrine.Chapter Ⅰ: The writer attempts to clear up the Hong Kong literature’s destination and definition; she explores the process of how is the literature shaped. She wants to know how is it influenced and made up from capitalization, a branch of Chinese literature and the colonialism between the East and the West. We are willing to know how she molds her literary performance and what are the varied writing factors in her literary works after following the Hong Kong tradition and culture. Chapter Ⅱ: We go further to define the structure of the female author’s works. We try to analyze the traditional background of Hong Kong female writers and find out the creation style of the ones of the 90’s. Maybe we can locate Huang Bi Yun’s writing background from it.Chapter Ⅲ: We attempt to dig out the topics from her experimental keen words: violence, sex, and death. The writer makes them intermixed and linked together in her articles to cause the overwhelming power. She tries to connect the theory of French feminist Julia Kristeva with her own text; it can interpret the image of the corpses, death and bloody violence which are extensively used in her creation. She also quotes the theory of lesbian of Feminism to locate the writer’s ideas of love and affections belonging to the same female sex. women of the late 20 century. She uses the language of low class female to constitute another kind of history which differs from the authorized history from the male’s point of view. Ms. Huang also uses Marxist feminism to analyze the unfair treatment to the female and their deprived social relationship. It manifests the extortion and the oppression applied to the tradition women.Chapter Ⅴ: In the conclusion, we know she embraces the dread and anxiety of Hong Kong with her words of diversification. The writer loads the raped woman body lying on a pool of blood and records the bumpy and broken-up history of Hong Kong.