| Summary: | 碩士 === 中國文化大學 === 藝術研究所美術組碩士在職專班 === 90 === Abstract
Since Impressionism, the painting of the East and West has been exchanged their ideas for nearly two hundred years. This procedure turns out different aspects:figuration and non-figuration, reality and abstraction, construction and deconstruction,internals and externals, existence and extinction, rationality and sensibility, spirituality
and materiality, tradition and modem. East and West. Nevertheless the progress of painting is still problematic. Thus I will exam the subject matter of phenomena and
imagery in this thesis titled Phenomena and Non-Imagery. This essay will concentrate on how to develop the characteristic of my works through exploring different thinking of philosophy and imagination. The theme in Phenomena and Non-Imagery includes:the discussion on the Eastern and Western explanation and illustration of phenomena from the aspect of academic, the non-imagery of Buddhism and Zen, and also Existentialism that has a great influences on the Western arts scene in the twentieth century. My idea of making art integrates the research findings on the most recent movements and artists of art, personal philosophy, and life experience.
Phenomena and Non-Imagery will have six chapters as the following.Chapter One: Introduction that explains ranges and definitions of the thesis through the characteristic, motivation, and purpose of the research.Chapter Two: Exam theoretical and philosophical origins of imagery of the East and West. Chapter Three: Analyze concepts and demonstrations of the Western Painting.Chapter Four: Illustrate the investigation, concepts, and values of my works.Chapter Five: Give an account of the background of my art and secondly analyze my practice in painting, such as visual phrases, concepts, and applied theories.Chapter Six: Conclusion includes current reflection, future development, and goals.
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