| Summary: | 碩士 === 臺南藝術學院 === 建築藝術研究所 === 89 === Abstract
All creations concern about contemporary existence argument, from an observation of environment deduction around us, to the changing of normal daily condition, and address an individual argument of contemporary space esthetic.
When author facing the "E" generation of new century, thinking about the different space-time atmosphere. Particularly in Post-Modern, people do not create anymore, they just manipulation to reproduce, duplicating endless imitation, and present a virtual situation?..........., or a “crisis” within the edge of breaking down.............?
Therefore, author tried to regard architecture from nature and living point of view. In the past, there were under three situations: (1)environment was apart far from human being, they didn’t have any connection. (2) people exist in the environment, the relationship between man and surrounding is still separated. (3) man integrates with environment completely, this way leads the direct point of living aspect, and makes the first interactive intention.
Cause traditional system was based on rational analytical foundation, ignoring primary state of human noumenon; so author desert the crisis of space from plan or section 2D diagram, but take another way, following the sense of consciousness and experience? author believes that perhaps this will bring out a little bit differences, new concepts and developments about the aura of new Millennium.
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