| Summary: | 碩士 === 南華大學 === 環境與藝術研究所 === 89 === An English Excerpt
This thesis deals with the traditional Chinese literatis’views toward garden space.
By careful studying and on-the -spot investigation of lots of the related historical
Records, I would present more detailed description about the Cho-cheng garden, which is one of the four biggest traditional Chinese gardens. Also I would try to establish the idea of Cho-cheng-yuan of Ming Dynasty and its artistic conception.
The main four parts in this dissertation:
1.The close relation between Chinese culture and mountains & rivers. In art respect, poetry, drawing and garden interplay each other. Firstly the thesis depicts the concept
background of the poetry ,drawing and garden.
2.The structure of Chiang-Nang Garden reach the artistic climax in Ming Dynasty. The building methods and its concept were recorded in drawing anthologies of Wen Heng-Shan Cho-cheng-yuan, showing the quintessence of garden art. So I would say that we have to use the three images by crossing contrast --- poetry, drawing and garden--- when we appreciate it.
3.I analyze the correction of the spacious images of the drawing through reciting the poetry. I present the constructional ideas , spacious layout and cultivation spirit.
4.Through using the idea of traveling, I depict the overall meaning of garden to reflect the philosophy of thinking , beauty appreciation, and design in the anthology of Cho-cheng-yuan.
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