Rhythmic Form:Sequential Arrangements of Space
碩士 === 國立成功大學 === 建築學系 === 89 === Experiencing the space inevitably relates to the sequences of movement and the structure of Time.How they related will be explored in this thesis. Time is irreversible; so is the experience of space . From this viewpoint movement become one of the key iss...
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ndltd-TW-089NCKU02220642016-01-29T04:27:54Z http://ndltd.ncl.edu.tw/handle/46575752458287062293 Rhythmic Form:Sequential Arrangements of Space 律動:空間的序列編織 Kuo shu chiou 邱國書 碩士 國立成功大學 建築學系 89 Experiencing the space inevitably relates to the sequences of movement and the structure of Time.How they related will be explored in this thesis. Time is irreversible; so is the experience of space . From this viewpoint movement become one of the key issues when making and reading spaces. When experiencing spaces, sequences happen naturally. The sequence can be seen as the interface of TIME and SPACE. Therefore, it can play the role of the editor of SPACE. This is the basic idea that supports this investigation. The thesis includes four parts: 1 Introduce the idea of sequence and how it related to time and space. 2 Take a music score as resource for studying the art of sequential composition 3 Create a transferring system that make flexible interchanges of musical units and architectural elements possible. 4 Presenting a design exercise to illustrate the applications of the sequential rules in creating spaces and to explore the potentials and limits of the method Ming-Hung Wang 王明蘅 2001 學位論文 ; thesis 89 zh-TW |
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碩士 === 國立成功大學 === 建築學系 === 89 === Experiencing the space inevitably relates to the sequences of movement and the structure of Time.How they related will be explored in this thesis.
Time is irreversible; so is the experience of space . From this viewpoint movement become one of the key issues when making and reading spaces.
When experiencing spaces, sequences happen naturally. The sequence can be seen as the interface of TIME and SPACE. Therefore, it can play the role of the editor of SPACE. This is the basic idea that supports this investigation.
The thesis includes four parts:
1 Introduce the idea of sequence and how it related to time and space.
2 Take a music score as resource for studying the art of sequential composition
3 Create a transferring system that make flexible interchanges of musical units and architectural elements possible.
4 Presenting a design exercise to illustrate the applications of the sequential rules in creating spaces and to explore the potentials and limits of the method
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Ming-Hung Wang |
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Ming-Hung Wang Kuo shu chiou 邱國書 |
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Kuo shu chiou 邱國書 |
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Kuo shu chiou 邱國書 Rhythmic Form:Sequential Arrangements of Space |
author_sort |
Kuo shu chiou |
title |
Rhythmic Form:Sequential Arrangements of Space |
title_short |
Rhythmic Form:Sequential Arrangements of Space |
title_full |
Rhythmic Form:Sequential Arrangements of Space |
title_fullStr |
Rhythmic Form:Sequential Arrangements of Space |
title_full_unstemmed |
Rhythmic Form:Sequential Arrangements of Space |
title_sort |
rhythmic form:sequential arrangements of space |
publishDate |
2001 |
url |
http://ndltd.ncl.edu.tw/handle/46575752458287062293 |
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AT kuoshuchiou rhythmicformsequentialarrangementsofspace AT qiūguóshū rhythmicformsequentialarrangementsofspace AT kuoshuchiou lǜdòngkōngjiāndexùlièbiānzhī AT qiūguóshū lǜdòngkōngjiāndexùlièbiānzhī |
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