| Summary: | 碩士 === 淡江大學 === 建築學系 === 88 === In our daily life, our experience comes from different events that happen around us. For experiencing a city, we hear, smell, and most importantly we see. Therefore, we often use vision-related nouns such as color, shape, and image to describe part of our feelings. This is also true when we sense a city, we build up memories of key scenario, and we organize them to form an imagination of the city. However, different persons’ understandings of a city are not identical, since elements in our memories of incidents organized into different order. This is like enjoying a movie, the enjoyment comes from parts of images that are montage and shoot script. The difference comes from different reading behavior. Such a conclusion is similar with a director describing his images of a movie script to a movie scenarist. Nevertheless, sensing of a city is chaotic, wandering but predictable. Thus, the major issue of this research tries to establish new meaning of our city through re-organizing fragments of our perception of the city. This research presents our investigations into four major parts:Firstly, current developments of mass media bring fundamental changes of our traditional experiences of space, which present an ambiguous and fragmented phenomenon of our perception in different dimensions. Secondly, incorporation of the concept of key frames in animation, and narrative descriptions in motion pictures to investigate the experience of images reading and transformation of the city. Thirdly, three different sensual frames of event, using Taipei’s Chong-Hshiao East Road as a site, the whole framework is to develop a movie (or motion picture) that belongs to Chong-Hshiao East Road. Utilizing multi-media to capture those interweaving memories to build and introduce issues of a play, and establishing specific designs for virtual and real life. Finally, the investigations of urban context from different angles such as time, place, human affairs, etc. are discussed. Then, a city experience in action is preceded from a movie critic’s point of view
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