Home of City─The film interpretation and space construction

• Main Authors: Hung-wei Lu, 呂鴻煒
• Other Authors: Kwang-tyng Wu
• Format: Others
• Language: zh-TW
• Published: 2000
• Online Access: http://ndltd.ncl.edu.tw/handle/83577004146830256496

碩士 === 淡江大學 === 建築學系 === 88 === In this thesis, the investigation tries to analyze the compositions of movie and understand the thought which the director is tempt to transmit for being a start to study the subjects of design and deliberation in architecture. The compositions in a movie include thereinafter: (1). The system of appearance: narrative and nonnarrative. (2). The system of style: cinematography, editing, mise-en-scene. Attempt to be different from the traditional scheme via a flat surface consideration, and construct a brand-new logic of concept to implement the compositions with the three-dimensional space. The operations in this thesis are shown as the following statements: 1. Subject discovery: In the movie directed by C. W. Wang, look for a subject to operate. 2. Subject decision: In the movie, the leading role plays an uneasy man with an identification of the ego in Hong Kong, and the city is flooded with the disorderly races and chaotic spaces. Therefore, a ''house'' is chosen for the operations in order to survey the manner and possibility of existence of architecture in a big city. 3. Design operation: Find a new technique in architecture via the appearance and style of movie. 4. Site fictitious structure: Sublimate the real environment and combine the fictitious site, like the movie exists on the screen. 5. Direction discussion: There are six surfaces on a cube, and each surface possesses four directions. The total amount of directions is equal to twenty-four. 6. Space structure: If the floors, walls and stairs are replaced mutually, the space structure will be thereby reconstructed and redefined a new type.