| Summary: | 碩士 === 中國文化大學 === 哲學研究所 === 88 === This paper aims at exploring the aesthetic concepts in Chuan-Tze and other concerning work .The Yau is the key-word to understand Chuan-Tze’s whole aesthetic theories.
Being Yau is the very process of human mind free from physical and mundane bond .After Shed off the burden ,physiological and spiritual ,the existential essence of human can fully be revealed that opens the subtle path to experience the true aesthetic life.The concept of Yau and its embodiment has been well considered and practiced in the history of Chinese paintings , especially in the scenary works.
This paper contains six chapters to discuss following questions.Methodogically ,Chuan-Tze’s aesthical face the modern interpretative crisis that almost all the philosophies of Chinese do .Chuan-Tze’s endeavor focuses on resolving the weary in social convention and expanding the vast for a free soul.
The embodiment of an aesthetic free soul can be realized according to three basic theories, (Hui-Chi) , ( Song-Ngoh) , and( Hui-Jing). The aesthetics of the Yau Chuan-Tze culminates in the unification of the cosmos and the earth.Only through the free soul of mankind , we can truly achieve the true essence of aesthetic life.
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