影像經驗中的都市性-以八０年代以降的台北市為例

• Main Authors: Tsaur Dah Wei, 曹大維
• Other Authors: Lo Shih Wei
• Format: Others
• Language: zh-TW
• Published: 1999
• Online Access: http://ndltd.ncl.edu.tw/handle/78634348068874184743

碩士 === 東海大學 === 建築學系 === 87 === The subject of this thesis is Taipei city, Since 1980, the propelling momentum of its metropolitanization has brought forth the chain reactions in various aspects. The urbanity of the city is changing and ambivalent. To apprehend the ineffable transformation and differentiation, we employ the characteristics of the sensuous integration of cinema art as a methodological tool, By means of this tool, we observe the significant features of the cityscape and attributes of human nature of the city. The discussion is emphasized on the film as text and based on a dynamic urban viewpoint and anti-thesis debate of dialectics. By comparing the cinematic city with the real city, we finally figure out the characteristics of the urban experience of Taipei city from 1980 to the present. We can distinguish two modes of urbanity in Taipei during the period. One is the multiplicity and symthesis of the metropolitan dynamics. It reflects the concomitant, eruptive and promptly released might of Taipei city. It would be perceived from the infrastructural constructions of the city, the form of the architecture, the dialogue among different groups , and the compatible agglomeration of races and languages. The subsequent phenomena, including construction of traffic or telecommunication network, the instant-food syndrome, the money-oriented passion , and the nihilistic attitude toward history, all reflect the speed-pursuit bias. The other one is the restrained mode of urbanity, In which, we find characteristic of urban development, that is slack, disconsolate, vagrant, and closed. Those components affecting the mass psychology of Taipei are the factor of inward geography of the basin and historical conditions cumulated in the riven and depressive development of the city. By observing the film as text after 1980, we find two ingredients of urban experience: liberation and restraint. The two experiental ingredients result in the two modes of urbanity. One is the fluid mode of urbanity, which resists the status guo, and looks for changes and satisfaction of desires, The other is root-taking mode, yarning for a stable position and concrete identity. These two modes are not only closely linked together but also integrated with each other. Both compose the comprehensive of Taipei city over the time.