Ut Pictura poesis? Baudelaire--the criritc of art
碩士 === 中國文化大學 === 西洋文學研究所 === 86 === Synopsis This thesis aims to analyse Baudelaire's personal esthetic opinion in his artistic criticism, the relation between his artistic theory and poetic creation, and then discuss the argument of &qu...
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ndltd-TW-086PCCU11530072015-10-13T12:47:25Z http://ndltd.ncl.edu.tw/handle/06026986351589685802 Ut Pictura poesis? Baudelaire--the criritc of art 詩如畫,畫如詩?藝術評論家波特萊爾 HU, I-fei 胡一妃 碩士 中國文化大學 西洋文學研究所 86 Synopsis This thesis aims to analyse Baudelaire's personal esthetic opinion in his artistic criticism, the relation between his artistic theory and poetic creation, and then discuss the argument of "Ut Pictura Poesis" existing in Western esthetics. In 1845, Baudelaire published his first Salon criticism. After he finished another Salon criticism in 1846, his esthetics system has been formed. The first chapter of this thesis tries to analyse the external question of art that Baudelaire devoted in his debut of critic career, in other words, the question of the particularity of the color and the line, and the relation between the picture and the drawing. The second chapter of this thesis tries to discuss Baudelaire's esthetic theory. After the Salon of 1846, Baudelaire ignored the problem of artistic exeution, and concerned on the internal form of art. In this chapter, the method of mnemonic, the imagination, the correspondence, the romanticism, and the modernity are the essential issues in Baudelaire's esthetic system. All of these concepts appear a harmonious respondence, and represent the synthesis of Baudelairien esthetics. And the theory of modernity, although there is contradiction in the definition, is one of the important concepts of Baudelaire's esthetic system. This theory also influences the following artistic current to stress the beauty of the contemporary epoch and the eternity of the present. "The Flower of Evil" and "The Spleen of Paris" are Baudelaire's most outstanding poetic creation. In the two books, we can easily find the esthetic concepts declared in his artistic critics. The third chapter of this thesis focuses on the relationship between Baudelaire's artistic theory and his poetry so as to find out how his poetry is influenced by his artistic theory. The argument of "Ut Pictura Poesis" has always been the important issues of the Western classic esthetics. The fourth chapter of my thesis tries to explore Baudelaire's opinion on "Ut Pictura Poesis" expressed in his artistic theory and then concludes that he considers "Poetics" is the general element of all arts. Alain Leroux 胡安嵐 1998 學位論文 ; thesis 144 zh-TW |
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碩士 === 中國文化大學 === 西洋文學研究所 === 86 === Synopsis This thesis aims to
analyse Baudelaire's personal esthetic opinion in his artistic
criticism, the relation between his artistic theory and poetic
creation, and then discuss the argument of "Ut Pictura
Poesis" existing in Western esthetics. In 1845, Baudelaire
published his first Salon criticism. After he finished another
Salon criticism in 1846, his esthetics system has been formed.
The first chapter of this thesis tries to analyse the external
question of art that Baudelaire devoted in his debut of critic
career, in other words, the question of the particularity of
the color and the line, and the relation between the picture
and the drawing. The second chapter of this thesis tries to
discuss Baudelaire's esthetic theory. After the Salon of 1846,
Baudelaire ignored the problem of artistic exeution, and
concerned on the internal form of art. In this chapter, the
method of mnemonic, the imagination, the correspondence, the
romanticism, and the modernity are the essential issues in
Baudelaire's esthetic system. All of these concepts appear a
harmonious respondence, and represent the synthesis of
Baudelairien esthetics. And the theory of modernity, although
there is contradiction in the definition, is one of the
important concepts of Baudelaire's esthetic system. This
theory also influences the following artistic current to
stress the beauty of the contemporary epoch and the eternity
of the present. "The Flower of Evil" and "The Spleen of
Paris" are Baudelaire's most outstanding poetic creation. In
the two books, we can easily find the esthetic concepts
declared in his artistic critics. The third chapter of this
thesis focuses on the relationship between Baudelaire's
artistic theory and his poetry so as to find out how his
poetry is influenced by his artistic theory. The argument
of "Ut Pictura Poesis" has always been the important issues of
the Western classic esthetics. The fourth chapter of my
thesis tries to explore Baudelaire's opinion on "Ut Pictura
Poesis" expressed in his artistic theory and then concludes
that he considers "Poetics" is the general element of all
arts.
|
author2 |
Alain Leroux |
author_facet |
Alain Leroux HU, I-fei 胡一妃 |
author |
HU, I-fei 胡一妃 |
spellingShingle |
HU, I-fei 胡一妃 Ut Pictura poesis? Baudelaire--the criritc of art |
author_sort |
HU, I-fei |
title |
Ut Pictura poesis? Baudelaire--the criritc of art |
title_short |
Ut Pictura poesis? Baudelaire--the criritc of art |
title_full |
Ut Pictura poesis? Baudelaire--the criritc of art |
title_fullStr |
Ut Pictura poesis? Baudelaire--the criritc of art |
title_full_unstemmed |
Ut Pictura poesis? Baudelaire--the criritc of art |
title_sort |
ut pictura poesis? baudelaire--the criritc of art |
publishDate |
1998 |
url |
http://ndltd.ncl.edu.tw/handle/06026986351589685802 |
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