Aesthetic Perception of Ambiguity of Music: "Tonepainting in the Frame" for Orchestra

• Main Authors: Wu, Pey-Jiin, 吳佩瑾
• Other Authors: Wu Ting-Lien
• Format: Others
• Language: zh-TW
• Published: 1997
• Online Access: http://ndltd.ncl.edu.tw/handle/49580747096564016120

碩士 === 國立交通大學 === 應用藝術研究所 === 85 === This thesis consists of two parts: the first part is the essaydiscussing "aesthetic perception of ambiguity of music" and thesecond part is orchestral composition "Tonepainting in the Frame"and its compositional ideas and analysis.The discussion of "aesthetic perception of ambiguity ofmusic" includes: (1)the fundamentals which implied ambiguity--polysemy and incompletion of meaning; (2)regarding ambiguity asrelative unsteady and studying the applications in various aspectsof arts such like music (especially tonal music), Chinese poem, andpainting.There is only one movement in "Tonepainting in the Frame"which is scored for an orchestra. The construction of this workused the concepts of ambiguity which described above, it''s a formclosed to "moment form" by Stockhausen. The attempt of thiswork is trying to build up several different musical events todepict a musical collage.