| Summary: | 碩士 === 國立交通大學 === 應用藝術研究所 === 85 === This thesis consists of two parts: the first part is the
essaydiscussing "aesthetic perception of ambiguity of music" and
thesecond part is orchestral composition "Tonepainting in the
Frame"and its compositional ideas and analysis.The discussion of
"aesthetic perception of ambiguity ofmusic" includes: (1)the
fundamentals which implied ambiguity--polysemy and incompletion
of meaning; (2)regarding ambiguity asrelative unsteady and
studying the applications in various aspectsof arts such like
music (especially tonal music), Chinese poem, andpainting.There
is only one movement in "Tonepainting in the Frame"which is
scored for an orchestra. The construction of this workused the
concepts of ambiguity which described above, it''s a formclosed
to "moment form" by Stockhausen. The attempt of thiswork is
trying to build up several different musical events todepict a
musical collage.
|
|---|
