The characteristic of The Cherry Orchard''s dramatic aesthetics.

• Main Authors: Tu, Li-yun, 杜麗雲
• Other Authors: Ming-kae Wang
• Format: Others
• Language: zh-TW
• Published: 1996
• Online Access: http://ndltd.ncl.edu.tw/handle/36138995132016148299

碩士 === 淡江大學 === 俄羅斯研究所 === 84 === This thesis analyzes the motif, structure ,and personage of "The Cherry Orch-ard ". The play may be briefly described as a realistic ensemble pathos: thecharacters all suffer the passing of the estate in different ways, thus adum-rating this change at a deeper and more generally significant level than thatof any individual''s suffering of the destined change of the cherry orchard, is" to save the cherry orchard ". Each character sees some value in it:economic,Tltural, and social. The play has no dramatic plot, that is, the play has nosuch events as would make it possible to develop or bring out the characters,or disclose the phases of their " movement ". The fate of characters with thebehaviors and actions,are motivated by common everyday situations. The charac-ters are not merely defined by their speeches: their appearance and behaviorsboth contribute towards establishing their individuality and their connectionswith each other.