| Summary: | 碩士 === 文化大學 === 西洋文學學系 === 83 ===
This thseis deals with " creezy" , a Goncourt Prize novel of 1969 by Felicien Marceau. Native of Belgian, member of the French Academy, felicien Marceau is reputed as one of the most famous contemporory French playwrights and novelists. On the whole, his entire works treat again and again one subject: Man is an eternal victim of social systems.
During the period of 1950-1960 is born the so -called "New Novel" Juged by its name, it intends to destroy "humanism" (emphasis on the portrait of characters) as well as the story in traditional sense, briefly, to renew the traditional writing style. Besides, its fragmentary language reflects exactly the disintegration of our world and the alienation between human beings since the second world war.
In "creezy", Felicien marceau means to tell an in teresting and conventional story in up-to-date language. Neither "New Novelist" nor storyteller like Balzac, he succeeds however in establishing a perfect compromise between traditionalism and modernism in this book.
This dissertation treats particularly the linguistic characteristics in " Cryeezy" and the descriptive art of Felicien Marceau so as to get an inkling of the modern french fiction. while appreciating the author's concise style of writing, we might observe, through some philosophical topics in this novel, our multifarious society characterized by its fast-paced life pattern and its mechanical civilization.
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