Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale
碩士 === 淡江大學 === 西洋語文研究所 === 81 === Like many other Gothic novels, William Beckford's Vathek was a romantic endeavor intended against the predominant temper of reason peculiar to the eighteenth century. This thesis first tries to propo...
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ndltd-TW-081TKU001540052016-02-10T04:08:48Z http://ndltd.ncl.edu.tw/handle/45818683922506828498 Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale 威廉•貝克佛之瓦泰克中之辯證論述 Tung-p'ing Chang 張東平 碩士 淡江大學 西洋語文研究所 81 Like many other Gothic novels, William Beckford's Vathek was a romantic endeavor intended against the predominant temper of reason peculiar to the eighteenth century. This thesis first tries to propose a dialectic relationship between reason and imagination in the novel. By pointing out the underlying principle of interactive play between these two terms, this critical analysis attempts to evidence the ascendancy of reason in the dichotomous structure. Many terms of similar importance are subjected to critical scrutiny. The theme of moral degeneration is employed on purpose to mount the author's dynamic imagination rather than preach some moralistic doctrine. The portrayal of Evil and the presentation of Goodness also embody a dialectic structure, and it is in their mutual play that the reader sees them pushed to the extreme, and thus obtains some kind of pleasurable literary experience. Overall the main argument is that Vathek was composed by a man whose creative energy was more on the side of reason than of imagination. Although the novel features imagination, actually reason was a more predominant element. Chang-fang Chen 陳長房 學位論文 ; thesis 76 en_US |
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碩士 === 淡江大學 === 西洋語文研究所 === 81 === Like many other Gothic novels, William Beckford's Vathek was a
romantic endeavor intended against the predominant temper of
reason peculiar to the eighteenth century. This thesis first
tries to propose a dialectic relationship between reason and
imagination in the novel. By pointing out the underlying
principle of interactive play between these two terms, this
critical analysis attempts to evidence the ascendancy of reason
in the dichotomous structure. Many terms of similar importance
are subjected to critical scrutiny. The theme of moral
degeneration is employed on purpose to mount the author's
dynamic imagination rather than preach some moralistic
doctrine. The portrayal of Evil and the presentation of
Goodness also embody a dialectic structure, and it is in their
mutual play that the reader sees them pushed to the extreme,
and thus obtains some kind of pleasurable literary experience.
Overall the main argument is that Vathek was composed by a man
whose creative energy was more on the side of reason than of
imagination. Although the novel features imagination, actually
reason was a more predominant element.
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author2 |
Chang-fang Chen |
author_facet |
Chang-fang Chen Tung-p'ing Chang 張東平 |
author |
Tung-p'ing Chang 張東平 |
spellingShingle |
Tung-p'ing Chang 張東平 Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
author_sort |
Tung-p'ing Chang |
title |
Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
title_short |
Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
title_full |
Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
title_fullStr |
Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
title_full_unstemmed |
Dialectic of Reason and Imagination in William Beckford's Vathek, an Arabian Tale |
title_sort |
dialectic of reason and imagination in william beckford's vathek, an arabian tale |
url |
http://ndltd.ncl.edu.tw/handle/45818683922506828498 |
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