Ways of Hearing in Sophokles: Auditory Spaces and Social Dynamics in the Elektra, Philoktetes, Trachiniai, and Oidipous Tyrannos
It has long been known that sight was a crucial component of the fifth-century Athenian theatre. And while that is true, it can also be argued that aurality, the ability to hear and be heard, is an equally important aspect of Athenian drama. This dissertation strives to reclaim a place for hearing i...
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| Language: | en_ca |
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2014
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| Online Access: | http://hdl.handle.net/1807/65734 |