Divine apparitions: The female-operatic voice in film
This work formulates a new language for speaking about the operatic voice in film. Beyond cultural signifiers, opera has a more specific purpose in film, and this thesis will provide a new language for speaking about it in such a way. Borrowing from Michel Chion's acousmetre, the current docume...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/1911/20557 |
