La imagen en primer plano: La pasión de Juana de Arco y el poder del rostro
Two peculiarities of the film The Passion of Joan of Arc (Carl Theodor Dreyer,1928) are explored in this essay: its unusual close-ups and its strongly expressivecharacter. We start from the idea that both characteristics are closely related andwe seek to clarify this relationship making use of Gille...
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| Format: | Others |
| Language: | Español |
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Pontificia Universidad Católica del Perú
2016
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| Online Access: | http://revistas.pucp.edu.pe/index.php/estudiosdefilosofia/article/view/15893/16325 http://repositorio.pucp.edu.pe/index/handle/123456789/119568 |