La cultura visual desde el campo social de la mirada
It continues a theoretical reflection started with her master degree thesis about visuality as a feature of contemporary culture. It tries to explain what is meant by visual culture from the analysis of the social field of “seeing”. First, it presents the concept to, then, develop three analysis per...
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Format: | Others |
Language: | Español |
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Conexión
2016
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Online Access: | http://revistas.pucp.edu.pe/index.php/conexion/article/view/14990/15521 http://repositorio.pucp.edu.pe/index/handle/123456789/114710 |
Summary: | It continues a theoretical reflection started with her master degree thesis about visuality as a feature of contemporary culture. It tries to explain what is meant by visual culture from the analysis of the social field of “seeing”. First, it presents the concept to, then, develop three analysis perspectives: the “seeing” that builds meaning, the “seeing” that sees the Other, and the “seeing” with which the subject sees himself.Visual culture organizes the daily action of the subject and creates meaning. The visual has been gaining space in the daily life of people. It has move from a marginal place, reserved for rituals and special performances, to fulfill a key role today that relates to identity and the way people learns. Everyday life has taken a visual twist that makes the “seeing” and life itself, practices qualitatively different to how they used to be before. === La autora continúa una reflexión teórica iniciada en su tesis de maestría sobre la visualidad como una característica de la cultura contemporánea. Busca explicar qué se entiende por cultura visual partiendo del análisis del campo social de la “mirada”. Primero presenta el concepto, para luego desarrollar tres perspectivas de análisis: la “mirada” que construye significado, la “mirada” que ve al Otro y la “mirada” con la que el sujeto se ve a sí mismo. La cultura visual organiza la acción diaria del sujeto creando significado. Lo visual ha ido ganando espacio en la vida cotidiana de las personas. De un lugar marginal, reservado a rituales y representaciones especiales, ha pasado hoy a cumplir un rol preponderante que se vincula con la identidad y la forma de conocer. Lo cotidiano ha tomado un giro visual que hace de la “mirada” y de la vida misma prácticas cualitativamente diferentes a cómo eran antes. |
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