A conceptual method of learning jazz improvisation through studying the music of J. S. Bach
<p> Johann Sebastian Bach's music includes exceptional source material for learning jazz improvisation. This research document has three sections. Chapter 1 is a concise review of respected jazz studies literature. Chapters 2 through 4 introduce a jazz improvisation methodology with Bach&...
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ndltd-PROQUEST-oai-pqdtoai.proquest.com-36181082014-06-12T04:08:35Z A conceptual method of learning jazz improvisation through studying the music of J. S. Bach Jones, Gary Scott Music <p> Johann Sebastian Bach's music includes exceptional source material for learning jazz improvisation. This research document has three sections. Chapter 1 is a concise review of respected jazz studies literature. Chapters 2 through 4 introduce a jazz improvisation methodology with Bach's music as its source material. The appendix presents materials on topics such as using improvisation for learning music, understanding improvisation, and organ improvisation. The target audience members for this research document are improvisation teachers who already possess an applicable knowledge of improvisation, pop/jazz chord symbols, and traditional music theory. The figures contained in Chapters 2 through 4 guide educators through ways to incorporate each musical exercise into instruction. Other primary audience members for this improvisation methodology are classically-trained musicians who share a familiarity with J.S. Bach's music yet believe they have no improvisational creativity of their own. </p> West Virginia University 2014-06-07 00:00:00.0 thesis http://pqdtopen.proquest.com/#viewpdf?dispub=3618108 EN |
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EN |
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Music Jones, Gary Scott A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
description |
<p> Johann Sebastian Bach's music includes exceptional source material for learning jazz improvisation. This research document has three sections. Chapter 1 is a concise review of respected jazz studies literature. Chapters 2 through 4 introduce a jazz improvisation methodology with Bach's music as its source material. The appendix presents materials on topics such as using improvisation for learning music, understanding improvisation, and organ improvisation. The target audience members for this research document are improvisation teachers who already possess an applicable knowledge of improvisation, pop/jazz chord symbols, and traditional music theory. The figures contained in Chapters 2 through 4 guide educators through ways to incorporate each musical exercise into instruction. Other primary audience members for this improvisation methodology are classically-trained musicians who share a familiarity with J.S. Bach's music yet believe they have no improvisational creativity of their own. </p> |
author |
Jones, Gary Scott |
author_facet |
Jones, Gary Scott |
author_sort |
Jones, Gary Scott |
title |
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
title_short |
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
title_full |
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
title_fullStr |
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
title_full_unstemmed |
A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
title_sort |
conceptual method of learning jazz improvisation through studying the music of j. s. bach |
publisher |
West Virginia University |
publishDate |
2014 |
url |
http://pqdtopen.proquest.com/#viewpdf?dispub=3618108 |
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AT jonesgaryscott aconceptualmethodoflearningjazzimprovisationthroughstudyingthemusicofjsbach AT jonesgaryscott conceptualmethodoflearningjazzimprovisationthroughstudyingthemusicofjsbach |
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