Composing music in the silent body

<p> This thesis explores holistic approaches to the performing body. Beginning with the inner world of sensation, I discuss Anna Halprin&rsquo;s use of emotional geography and associative scoring in her community rituals. In Lawrence &ldquo;Butch&rdquo; Morris&rsquo; Conduction...

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Main Author: Herndon, Julie
Language:EN
Published: Mills College 2015
Subjects:
Online Access:http://pqdtopen.proquest.com/#viewpdf?dispub=1589453
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spelling ndltd-PROQUEST-oai-pqdtoai.proquest.com-15894532015-06-18T04:01:13Z Composing music in the silent body Herndon, Julie Dance|Music <p> This thesis explores holistic approaches to the performing body. Beginning with the inner world of sensation, I discuss Anna Halprin&rsquo;s use of emotional geography and associative scoring in her community rituals. In Lawrence &ldquo;Butch&rdquo; Morris&rsquo; Conductions, I consider the body as score. And in an analysis of Sophia Gubaidulina&rsquo;s symphony Stimmen&hellip; Verstummen&hellip;, I describe the use of gesture as it is functions to frame the body as a symbol of transformation. I then describe the affect of these representative methods of composing for the performing body as they manifest in own work, using specific examples from (de)attachment for saxophone quartet.</p> Mills College 2015-06-13 00:00:00.0 thesis http://pqdtopen.proquest.com/#viewpdf?dispub=1589453 EN
collection NDLTD
language EN
sources NDLTD
topic Dance|Music
spellingShingle Dance|Music
Herndon, Julie
Composing music in the silent body
description <p> This thesis explores holistic approaches to the performing body. Beginning with the inner world of sensation, I discuss Anna Halprin&rsquo;s use of emotional geography and associative scoring in her community rituals. In Lawrence &ldquo;Butch&rdquo; Morris&rsquo; Conductions, I consider the body as score. And in an analysis of Sophia Gubaidulina&rsquo;s symphony Stimmen&hellip; Verstummen&hellip;, I describe the use of gesture as it is functions to frame the body as a symbol of transformation. I then describe the affect of these representative methods of composing for the performing body as they manifest in own work, using specific examples from (de)attachment for saxophone quartet.</p>
author Herndon, Julie
author_facet Herndon, Julie
author_sort Herndon, Julie
title Composing music in the silent body
title_short Composing music in the silent body
title_full Composing music in the silent body
title_fullStr Composing music in the silent body
title_full_unstemmed Composing music in the silent body
title_sort composing music in the silent body
publisher Mills College
publishDate 2015
url http://pqdtopen.proquest.com/#viewpdf?dispub=1589453
work_keys_str_mv AT herndonjulie composingmusicinthesilentbody
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