Rehearing Florence Price| A Closer Look at Her Symphony in E Minor

<p> Until recently, female composers have been undervalued for their contributions to the world of music. While much has been done to remedy this omission, there are still some composers whose works have yet to receive the attention they deserve. Florence Price&rsquo;s orchestral works, pa...

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Main Author: Hobbs, Erin
Language:EN
Published: California State University, Long Beach 2017
Subjects:
Online Access:http://pqdtopen.proquest.com/#viewpdf?dispub=10263292
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spelling ndltd-PROQUEST-oai-pqdtoai.proquest.com-102632922017-06-15T16:06:51Z Rehearing Florence Price| A Closer Look at Her Symphony in E Minor Hobbs, Erin Music|Women's studies <p> Until recently, female composers have been undervalued for their contributions to the world of music. While much has been done to remedy this omission, there are still some composers whose works have yet to receive the attention they deserve. Florence Price&rsquo;s orchestral works, particularly her <i> Symphony No. 1 in E Minor,</i> are an example of these often-overlooked compositions, and they are deserving of more recognition. It is possible that her works were initially ignored not just because she was a female composer, but also an African-American living in a time when both groups were considered inferior to their white male counterparts in the United States. Now that our society has become more fair-minded about recognizing all races, cultures, and groups, it is time to re-visit the orchestral works of Florence Price and attempt to have them included in standard orchestral repertoire. These compositions represent a little-heard group of composers in American history, and they add a more varied style and voice to classical music literature. </p><p> The first part of this thesis presents an historical background of Florence Price and highlights social and cultural influences that had an impact on her musical compositions. Price&rsquo;s compositions reflect her upbringing as an African-American woman and often include musical characteristics that borrow from Negro spirituals, lending unique qualities to her music. The second part of the thesis focuses specifically on her <i>Symphony No. 1 in E Minor,</i> including a basic analysis of harmony and form, discussion of thematic elements, and an argument for more frequent performances of the symphony. I will also describe my rehearsal and performance experiences of the piece with the Symphony Orchestra of the Bob Cole Conservatory of Music. </p> California State University, Long Beach 2017-06-14 00:00:00.0 thesis http://pqdtopen.proquest.com/#viewpdf?dispub=10263292 EN
collection NDLTD
language EN
sources NDLTD
topic Music|Women's studies
spellingShingle Music|Women's studies
Hobbs, Erin
Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
description <p> Until recently, female composers have been undervalued for their contributions to the world of music. While much has been done to remedy this omission, there are still some composers whose works have yet to receive the attention they deserve. Florence Price&rsquo;s orchestral works, particularly her <i> Symphony No. 1 in E Minor,</i> are an example of these often-overlooked compositions, and they are deserving of more recognition. It is possible that her works were initially ignored not just because she was a female composer, but also an African-American living in a time when both groups were considered inferior to their white male counterparts in the United States. Now that our society has become more fair-minded about recognizing all races, cultures, and groups, it is time to re-visit the orchestral works of Florence Price and attempt to have them included in standard orchestral repertoire. These compositions represent a little-heard group of composers in American history, and they add a more varied style and voice to classical music literature. </p><p> The first part of this thesis presents an historical background of Florence Price and highlights social and cultural influences that had an impact on her musical compositions. Price&rsquo;s compositions reflect her upbringing as an African-American woman and often include musical characteristics that borrow from Negro spirituals, lending unique qualities to her music. The second part of the thesis focuses specifically on her <i>Symphony No. 1 in E Minor,</i> including a basic analysis of harmony and form, discussion of thematic elements, and an argument for more frequent performances of the symphony. I will also describe my rehearsal and performance experiences of the piece with the Symphony Orchestra of the Bob Cole Conservatory of Music. </p>
author Hobbs, Erin
author_facet Hobbs, Erin
author_sort Hobbs, Erin
title Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
title_short Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
title_full Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
title_fullStr Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
title_full_unstemmed Rehearing Florence Price| A Closer Look at Her Symphony in E Minor
title_sort rehearing florence price| a closer look at her symphony in e minor
publisher California State University, Long Beach
publishDate 2017
url http://pqdtopen.proquest.com/#viewpdf?dispub=10263292
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