Hearing Their Stories Through Polyphonic Soundtracks: Women and Music in Contemporary Chinese Film

Hearing Their Stories Through Polyphonic Soundtracks: Women and Music in Contemporary Chinese Film

Bibliographic Details
Main Author:	Lin, Zhichun
Language:	English
Published:	The Ohio State University / OhioLINK 2013
Subjects:	Film Studies Comparative Music Womens Studies
Online Access:	http://rave.ohiolink.edu/etdc/view?acc_num=osu1374231964

Similar Items

Negotiating the Soundtrack: Music in Early Sound Film in the U.S. and France, 1926-1934
by: Lewis, Hannah Rose
Published: (2014)

The Synthesizer: Modernist and Technological Transformations in Film Sound and Contemporary Music
by: Green, Dusin J
Published: (2013)

To Key or Not to Key| Tonal Design in Film Music
by: Motazedian, Tahirih
Published: (2017)

The work of queer: sexuality, race and subjectivity in late capitalism
by: Maltry, Melanie A.
Published: (2006)

Music for clarinet and string quartet by women composers.
by: Rothenberg, Florie.
Published: (1993)

Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films
by: David Selva-Ruiz, et al.
Published: (2021-05-01)

Reading Tonality through Film: Transformational Hermeneutics and the Music of Hollywood
by: Lehman, Frank Martin
Published: (2013)

<em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film
by: Schweitzer, Dennis Christopher
Published: (2004)

Justice looks down on female victims or favors the bold| An ideological reading of select contemporary American films
by: Garcia, Ashley D.
Published: (2015)

Western music in modern Korea: A study of two women composers
by: Yoo, Hae Young
Published: (2009)

"Listen to the stories, hear it in the songs" : musical theatre as queer historiography
by: Dvoskin, Michelle Gail
Published: (2010)

Audio Signal Processing in Ironman A development of film music analysis from a perspective of music technology
by: Gouws, Eugene
Published: (2018)

Chapter Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources
Published: (2020)

The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s
by: McGill, Amy
Published: (2008)

Automatic Transcription of Polyphonic Vocal Music
by: Andrew McLeod, et al.
Published: (2017-12-01)

An Evaluation of Motion Picture Films for Use in Music Education
by: Bolin, Carl B.
Published: (1949)

Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals
by: Shook, Steffi A.
Published: (2013)

Mining the Past: Performing Authenticity in the Country Music Biopic
by: Brost, Molly
Published: (2008)

Score analysis for music written for "Dead Man's Bluff"
by: Bezzerides, Marianthe E.
Published: (2016)

The creative identity of women| An analysis of feminist themes in select chamber music theater works by composer William Osborne for trombonist Abbie Conant
by: Ducharme, Jessica Ashley
Published: (2013)

Dialects into Films----The Element of “Dialect” in Chinese Films
by: Yao, Shun
Published: (2013)

Touching History to Find “a Kind of Truth”: Black Women’s Queer Desires in Post-Civil Rights Literature, Film, and Music
by: Shaw, John Brendan
Published: (2016)

Crafting Utopia and Dystopia: Film Musicals 1970-2002
by: Malone, Travis B.
Published: (2006)

How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry
by: Alessandro Ansani, et al.
Published: (2020-10-01)

Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell
by: Gobel, Alper
Published: (2019)

T bone burnett, the American South, and the ethic of a contemporary cultural renaissance
by: Carpenter, Heath J.
Published: (2016)

The popular musical biopic in the post-studio era: four approaches to an overlooked film genre
by: Schlotterbeck, Jesse Keith
Published: (2010)

Women's Time and Reproductive Anxiety in Contemporary Horror Films
by: Zhang, Qian
Published: (2018)

Miklos Rozsa's "The Killers"| Comparing the concert suite to the original film score
by: Alpizar, Mark
Published: (2015)

“Commutation Tricks” and “Forced Marriages.” Videographic Manipulation as a Tool for the Analysis of Music in Films
by: Emilio Audissino
Published: (2018-07-01)

The Final Girl Grown Up: Representations of Women in Horror Films from 1978-2016
by: Cupp, Lauren
Published: (2017)

Banjo Romantika [Soundtrack album]
by: Bidgood, Lee
Published: (2016)

Mongolian folklore expressed through music technology original multimedia soundtrack "On Horseback"
by: Chu, Xinlei
Published: (2014)

Music for Our (Hi)Stories: Reading Beethoven through Adorno in Alex Kuo’s Chinese Opera
by: Fulvia Sarnelli
Published: (2020-12-01)

Out into the world: Chinese film music after the cultural revolution
by: Lin, Zhichun
Published: (2007)

North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack
by: Paolo Pinamonti
Published: (2021-08-01)

Hollywood film music in the early sound era, 1926-1934
by: Slowik, Michael James
Published: (2012)

Constructing a model musical idiom for award-nominated video game soundtracks
by: Smal, Pieter
Published: (2017)

Music, Health and Wellbeing: The Need for Polyphonic Dialogues
by: Giorgos Tsiris
Published: (2013-07-01)

Automatic musical instrument recognition from polyphonic music audio signals
by: Fuhrmann, Ferdinand
Published: (2012)

Cannot write session to /tmp/vufind_sessions/sess_rebibn30tha83el8bksv95a10u