L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître

Bibliographic Details
Main Author: Wise, Anaïs L.
Language:French
Published: The Ohio State University / OhioLINK 2012
Subjects:
e
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=osu1353864469
id ndltd-OhioLink-oai-etd.ohiolink.edu-osu1353864469
record_format oai_dc
spelling ndltd-OhioLink-oai-etd.ohiolink.edu-osu13538644692021-08-03T06:06:46Z L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître Wise, Anaïs L. Comparative Literature Literature Modern Literature M&233 rim&233 e Baudelaire ironie agression victimes nouvelles <p>My research discusses the characteristics of ironic acts found in the works of Prosper Mérimée, author of the world-renowned masterpiece Carmen. The fundamental question that fuels my project stems from a visible discrepancy between the significant interest that the French share for irony and for Mérimée, and the fact that Mérimée’s unique conception and demonstration of ironic acts has been for the most part dismissed by both literary critics and researchers of irony.</p><p>More specifically, my project studies the question of victimization, that is, the representation of entities that fall victim to ironists’ ploys. I compare victims of irony in short stories written by Mérimée with similar entities found in the works of other prominent nineteenth-century writers such as Maupassant, Flaubert and Baudelaire. I show that Mérimée, in an unconventional mood for the period, treats his victims respectfully, as if he sought to preserve their dignity. My research on Mérimée’s conception and uses of irony offers theoreticians of irony an opportunity to reexamine their accepted notion that successful irony systematically entails an aggressive, if not violent act. Additionally, I seek to demonstrate that Mérimée’s unique demonstration of irony in the 1820s must be perceived as the first manifestation of “modern irony”, contrary to scholars’ traditional location of this phenomenon in Baudelaire’s publication of Les Fleurs du mal in 1857.</p> 2012-12-18 French text The Ohio State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=osu1353864469 http://rave.ohiolink.edu/etdc/view?acc_num=osu1353864469 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language French
sources NDLTD
topic Comparative Literature
Literature
Modern Literature
M&233
rim&233
e
Baudelaire
ironie
agression
victimes
nouvelles
spellingShingle Comparative Literature
Literature
Modern Literature
M&233
rim&233
e
Baudelaire
ironie
agression
victimes
nouvelles
Wise, Anaïs L.
L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
author Wise, Anaïs L.
author_facet Wise, Anaïs L.
author_sort Wise, Anaïs L.
title L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
title_short L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
title_full L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
title_fullStr L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
title_full_unstemmed L’Ironie Mériméenne ou l’art de transformer le coup de griffe en coup de maître
title_sort l’ironie mériméenne ou l’art de transformer le coup de griffe en coup de maître
publisher The Ohio State University / OhioLINK
publishDate 2012
url http://rave.ohiolink.edu/etdc/view?acc_num=osu1353864469
work_keys_str_mv AT wiseanaisl lironiemerimeenneoulartdetransformerlecoupdegriffeencoupdemaitre
_version_ 1719431076617650176