ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS

ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS

Bibliographic Details
Main Author: Ortega Paredes, Juan Carlos
Language:English
Published: The Ohio State University / OhioLINK 2012
Subjects:
Music
ECUADORIAN
FOLK
AVANT-GARDE
NATIONALISM
LUIS HUMBERTO SALGADO
SONATAS
VIOLIN
VIOLA
CELLO
STRING
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=osu1343738160
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spelling ndltd-OhioLink-oai-etd.ohiolink.edu-osu13437381602021-08-03T06:06:17Z ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS Ortega Paredes, Juan Carlos Music ECUADORIAN FOLK AVANT-GARDE NATIONALISM LUIS HUMBERTO SALGADO SONATAS VIOLIN VIOLA CELLO STRING Luis Humberto Salgado (1903-1977), a leading Ecuadorian composer of the twentieth century, favored an eclectic style of composition that highlights his affiliation with nationalist and avant-garde approaches; for this reason, the premise that various elements of his eclectic style may be found in his chamber music, in particular in his sonatas for string instruments, seemed practical as an initial effort for understanding these pieces. An existing description of Salgado’s general style developed by musicologist Ketty Wong Cruz was used as the basis to confirm this proposition. Wong’s description portrays Salgado’s eclecticism and the inclusion, often in combination, of numerous compositional elements in his works. The examination of Salgado’s string sonatas supports the conclusion that elements of Salgado’s eclectic style transfer to these pieces, including the use of folk, twelve-tone, contrapuntal, neo-Classical, and neo-Romantic elements. These elements add to the appeal and value of these pieces. The extent and variety of Salgado’s output, which encompasses most genres, was unsurpassed by his Ecuadorian predecessors and contemporaries. Although many of Salgado’s works remain unpublished, the last decade has seen a renewed interest in the performance and scholarship of this output. 2012-08-27 English text The Ohio State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=osu1343738160 http://rave.ohiolink.edu/etdc/view?acc_num=osu1343738160 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language English
sources NDLTD
topic Music
ECUADORIAN
FOLK
AVANT-GARDE
NATIONALISM
LUIS HUMBERTO SALGADO
SONATAS
VIOLIN
VIOLA
CELLO
STRING
spellingShingle Music
ECUADORIAN
FOLK
AVANT-GARDE
NATIONALISM
LUIS HUMBERTO SALGADO
SONATAS
VIOLIN
VIOLA
CELLO
STRING
Ortega Paredes, Juan Carlos
ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
author Ortega Paredes, Juan Carlos
author_facet Ortega Paredes, Juan Carlos
author_sort Ortega Paredes, Juan Carlos
title ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
title_short ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
title_full ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
title_fullStr ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
title_full_unstemmed ECUADORIAN-FOLK AND AVANT-GARDE ELEMENTS IN LUIS HUMBERTO SALGADO’S SONATAS FOR STRING INSTRUMENTS
title_sort ecuadorian-folk and avant-garde elements in luis humberto salgado’s sonatas for string instruments
publisher The Ohio State University / OhioLINK
publishDate 2012
url http://rave.ohiolink.edu/etdc/view?acc_num=osu1343738160
work_keys_str_mv AT ortegaparedesjuancarlos ecuadorianfolkandavantgardeelementsinluishumbertosalgadossonatasforstringinstruments
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