A Character Type in the Plays of Edward Bond

A Character Type in the Plays of Edward Bond

Bibliographic Details
Main Author:	Torma, Frank Anthony
Language:	English
Published:	The Ohio State University / OhioLINK 2010
Subjects:	Literature Theater Studies Edward Bond British Political Theatre
Online Access:	http://rave.ohiolink.edu/etdc/view?acc_num=osu1290984556

Similar Items

There Will Be More d’Edward Bond : pour un autre théâtre politique
by: Eléonore Obis
Published: (2015-04-01)

Witnesses Inside/Outside the Stage: The Purpose Of Representing Violence In Edward Bond's Saved (1965) And Sarah Kane's Blasted (1995) Testigos Dentro/Fuera Del Escenario: El Objetivo De La Representación De La Violencia En Saved (1965) De Edward Bond Y Blasted (1995) De Sarah Kane
by: Laura López Peña
Published: (2009-06-01)

Vahşet Tiyatrosu ve Şiddetin Politiği: Edward Bond Örneği
by: Önder Çakırtaş
Published: (2018-06-01)

A study of metadrama in selected plays of Edward Bond
by: Fischer, Donatella
Published: (1994)

An introduction to Edward Bond: His earlier plays and the controversial Saved
by: Deniz Bozer
Published: (1987-12-01)

Social Control and Submission in Edward Bond’s The War Plays
by: Tahereh Rezaei, et al.
Published: (2021-07-01)

The medium and the message : Edward Bond and the politicization of art
by: Elhag, Ahmed Hasaballa
Published: (1989)

Parables of the East in Edward Bond’s Political Drama
by: Loretta Visomirskis
Published: (2016-04-01)

Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond
by: Eléonore Obis
Published: (2013-06-01)

“Being Human”: Edward Bond’s Theories of Drama
by: David Allen, et al.
Published: (2017-10-01)

Children's Fears in Britain's New Theatre of Cruelty: Plays for Children and Their Parents
Published: (2012-04-01)

The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.
by: Kingston, Talya A
Published: (2008)

Reflections of new naturalism in Edward Bond's Summer
by: Mehmet Takkaç
Published: (2001-06-01)

Edward Bond El teatro de compromiso social
by: Rosa López de D’Amico
Published: (2015-10-01)

Bastardizing the bard: Appropriations of Shakespeare's plays in postcolonial India
by: Kapadia, Parmita
Published: (1997)

The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians
by: Philip Smith
Published: (2021-04-01)

Failed embodiment, silent speech, and ontological intermediality in Edward Bond’s production of The Under Room
by: Dr. Kate Katafiasz
Published: (2013-01-01)

How should I act?: Shakespeare and the theatrical code of conduct
by: Garner, Ann E
Published: (2012)

Shakespeare's remedies of fortune: The fate of idealism in the late plays
by: White, Philip W
Published: (1999)

Exactly What is That Worth to You: Gifting Ornamentation and Relationships in Shakespeare's Plays
by: Venn, Andrea Faye
Published: (2018)

LA CIUDAD DE SANTIAGO EN EL SENTIR DE JOAQUÍN EDWARDS BELLO Y DE JORGE EDWARDS
by: Roberto Hozven
Published: (2006-11-01)

From feathers to fur: Theatrical representations of skin in the medieval English cycle plays
by: Gramling, Valerie Anne
Published: (2013)

Maryse Conde's Early Plays: An English Translation of "God Gave Him to Us..." and "The Death of Oluwemi of Ajumako"
by: Thompson, Liana J.
Published: (2009)

Male Bonding in the Plays of David Rabe
by: McMillion, Jennifer Lynn
Published: (1988)

Review of Edwards
by: Jonathan Reams
Published: (2011-10-01)

"The vehicle of delight and morality": humor and sentiment in the plays of John O'Keeffe as a reflection of late eighteenth-century English theatrical comedy
by: Swanson, Michael David
Published: (1991)

“Now, literature, philosophy, and thought, are Shakspearized”: American culture and nineteenth -century Shakespearean performance, 1835–1875
by: Brousseau, Elaine
Published: (2003)

Desire and anxiety: The circulation of sexuality in Shakespearean drama
by: Traub, Valerie Jean
Published: (1990)

“The labor we delight in”: Amateur dramatists in the London professional theaters, 1590–1642
by: Pangallo, Matteo A
Published: (2012)

THE REACTIONS OF LONDON'S DRAMA CRITICS TO CERTAIN PLAYS BY HENRIK IBSEN, HAROLD PINTER, AND EDWARD BOND

The development of stage lighting and its application to a problem in scenic design entailing the use of a unit set for the staging of six plays comprising a cross section of English drama
by: Reid, Anthony
Published: (1946)

Magical thinking in Shakespeare's tragedies
by: Favila, Marina Christi
Published: (1995)

The individual and self-destruction in Renaissance drama: The examples of Marlowe, Shakespeare, Tourneur, and Ford
by: Banerjee, Pompa
Published: (1993)

Imagining realism: Strategies for reform in the late-Victorian and Edwardian drama of the West End
by: Holder, Heidi Joan-Marie
Published: (1993)

Shakespearean loss: Mourning interminable
by: Simpson, Lynne M
Published: (1999)

Bubonic plague in English Renaissance utopian literature
by: Totaro, Rebecca Carol Noel
Published: (2000)

“Who 'twas that cut thy tongue”: Postmodern and Hollywood Shakespeares and the betrayal of the adolescent audience
by: Bagg, Melissa A
Published: (2003)

Playing Hippies and Indians: Acts of Cultural Colonization in the Theatre of the American Counterculture
by: Hahn, Miriam
Published: (2014)

Staging the Actress: Dramatic Character and the Performance of Female Identity
by: Lee, Melissa
Published: (2014)

Productions of Edward Albee's plays in Slovenia and the critics' response
by: Polonca Zalokar
Published: (2009-12-01)