Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game

Bibliographic Details
Main Author: Chou, Lin-San
Language:English
Published: The Ohio State University / OhioLINK 2010
Subjects:
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=osu1273846926
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spelling ndltd-OhioLink-oai-etd.ohiolink.edu-osu12738469262021-08-03T05:59:30Z Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game Chou, Lin-San Music Astor Piazzolla Three Preludes Piano <p>This document focuses on the composer Astor Piazzolla (1921-92) and his solo piano work, Three Preludes: Leijia’s Game-Tango Prelude, Flora’s Game-Milonga Prelude, Sunny’s Game-Valse Prelude (1987). Astor Piazzolla, one of the most influential figures in tango history, has put significant efforts into the transformation of thetango and promoting the tango globally. Furthermore, he revolutionized the tango with his new style, nuevo tango, in which he incorporated classical music and jazz elements into this popular music genre.</p><p>Piazzolla was very prolific, and his oeuvre includes more than one thousand works. He also composed for solo piano, although most of these pieces are shorter in length. His most famous piano solo work is perhaps Three Preludes: Leijia’s Game, Flora’s Game, and Sunny’s Game. Leijia’s Game is titled in the score as Tango Prelude. Flora’s Game is a Milonga Prelude, originally the dance that preceded the tango. Sunny’s Game is a Valse Prelude; it also belongs to the tango family, which is the tango version of waltz.</p><p>This paper explores this particular piano work by Piazzolla using style and formal analysis. Chapter 2 surveys the history of the tango. Chapter 3 deals with the style and formal analysis of the three pieces. In addition to a discussion of Piazzolla’s composition style in the pieces, performance suggestions are offered based on the analysis, along with experience gained from playing the piece. Chapter 4 offers overall performance recommendations on rubato, rhythm, pedal, dynamics, articulations, and fingerings for Three Preludes.</p> 2010-07-30 English text The Ohio State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=osu1273846926 http://rave.ohiolink.edu/etdc/view?acc_num=osu1273846926 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language English
sources NDLTD
topic Music
Astor Piazzolla
Three Preludes
Piano
spellingShingle Music
Astor Piazzolla
Three Preludes
Piano
Chou, Lin-San
Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
author Chou, Lin-San
author_facet Chou, Lin-San
author_sort Chou, Lin-San
title Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
title_short Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
title_full Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
title_fullStr Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
title_full_unstemmed Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game
title_sort analysis of and performance suggestions for astor piazzolla’s piano solo work, three preludes: leijia’s game, flora’s game, sunny’s game
publisher The Ohio State University / OhioLINK
publishDate 2010
url http://rave.ohiolink.edu/etdc/view?acc_num=osu1273846926
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