A study of the composition and performance of Scott Joplin's opera Treemonisha

A study of the composition and performance of Scott Joplin's opera Treemonisha

Show other versions (1)

Bibliographic Details
Main Author:	Hebert, Rubye Nell
Language:	English
Published:	The Ohio State University / OhioLINK 1976
Subjects:	TREEMONISHA OPERA ragtime rag Music Scott Joplin
Online Access:	http://rave.ohiolink.edu/etdc/view?acc_num=osu1133888984

Similar Items

A study of the composition and performance of Scott Joplin's opera Treemonisha /
by: Hebert, Rubye Nell
Published: (1976)

Narcocultura y crisis de la identidad en «El amante de Janis Joplin», de Élmer Mendoza
by: Luis Carlos Salazar Quintana, et al.
Published: (2017-06-01)

Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas
by: Latham, Edward
Published: (2008)

Traços do ragtime no choro Segura ele de Pixinguinha: composição, performance e iconografia após a viagem a Paris em 1922 Ragtime traces in the choro Segura ele [Hold him!] by Pixinguinha: composition, performance and iconography after the trip to Paris in 1922
by: Nilton Antônio Moreira Júnior, et al.
Published: (2011-06-01)

William Bolcom's 3 Ghost Rags: An Orchestration for Chamber Ensemble with Commentary on the History and Propagation of Ragtime
Published: (2013)

Polish ragtime
by: Hawk, Kenneth G., 1926-
Published: (1969)

An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment
by: McCutchen, Thomas W. (Thomas Wendell)
Published: (1984)

En stilistisk analys av Scott Joplins ragtimekompositioner
by: Lantz, Daniel
Published: (2001)

Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas
Published: (2008)

Sir Walter Scott's contribution to knowledge of the 14th century minstrel : the use of imaginative literature in musical research /
by: Fisher, Suzanne Aleta
Published: (1983)

A Stylistic Survey and Performance Guide of Three Popular Rags and Three Rags, Composed after 2008 by William Bolcom
Published: (2020)

Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
by: Alexy Viegas
Published: (2018-04-01)

Collaboration in Opera Composition : Writing an opera with three composers
by: Keith, Mathieu
Published: (2020)

Rights and Literature: Thinking About Migration Processes Through Ragtime, by E. L. Doctorow
by: Márcia Letícia Gomes
Published: (2015-12-01)

Maître ou esclave ? Jazz, ragtime et cake walk en Allemagne avant et après la Première Guerre mondiale
by: Pascale Cohen-Avenel
Published: (2013-06-01)

The Use of Jazz in Opera
by: Ottervik, Jennifer
Published: (1995)

The dramatic function of poetic and musical forms in a Savoy opera prototype /
by: Lassowsky, Jaropolk
Published: (1981)

The “operatic of opera” in music history pedagogy – exploring the temporal narrativization of opera1
by: Liisamaija Hautsalo
Published: (2021-04-01)

Ragtime: A Quilt of Humanity
by: Kulovany, Elise
Published: (2014)

In Riches, Rags, Rhythm, and Rhyme: Designing Kent State University's Production of Ragtime
by: Kovarik, Kathleen R.
Published: (2012)

Ragtime and Anti-Bolshevism
by: Brian Holder
Published: (2011-01-01)

O percurso histórico da improvisação no ragtime e no choro The historical path of improvisation in ragtime and choro
by: César Albino, et al.
Published: (2011-06-01)

Scott Panetti on Death Row
by: Dallas Ducar
Published: (2014-12-01)

OperaTunity: Opera Education for the Community
Published: (2016)

Operatic egalitarianism: English-language opera, Redpath Chautauqua, and the May Valentine Opera Company
by: Norling, Cody Andrew
Published: (2018)

Short Opera for Five Voices
by: Sauer, Vincent Philip
Published: (2017)

Pearl, An Opera in Two Acts
by: Scurria, Amy
Published: (2015)

Òpera en texans y This is opera al servicio de la educación musical
by: Juan Carlos Montoya Rubio
Published: (2019-09-01)

The 1993, Scott Mills aftershock sequence : moment tensor inversion and joint hypocenter determination
by: Schurr, Bernd D.
Published: (2012)

Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago
Published: (2016)

Aarskog – Scott Syndrome: a Literature Review and Presentation of Clinical Case
by: Markin L., et al.
Published: (2013-06-01)

Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera
by: Shirey, Benjamin, 1985-
Published: (2016)

A study of vocal demands in selected early German romantic operas /
by: Schiller, Mary Gilley,
Published: (1979)

Ragtime: breve história, características e principais compositores
by: Guilherme Massao Misina, et al.
Published: (2017-10-01)

Ragtime: A Scenic Design
by: Reagan, Logan
Published: (2015)

Scott Fitzgerald: famous writer, alcoholism and probable epilepsy
by: Mariana M. Wolski, et al.

THE OPERA-BALLET: OPERA AS LITERATURE
by: McConnell, Anne, 1941-
Published: (1972)

HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES
by: TAYLOR, LARRY C.
Published: (2007)

Remembering Professor Walter A. Scott
by: Stefan G. Sarafianos
Published: (2014-10-01)

Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera
by: Doyle, James Joseph
Published: (2014)