Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work

Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work

Bibliographic Details
Main Author: Anderson, Timothy Reges
Language:English
Published: The Ohio State University / OhioLINK 1999
Subjects:
Schoenberg
Interval
Interval Class
dissonant
Instrument Doublings
Z-scores
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=osu1124805242
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spelling ndltd-OhioLink-oai-etd.ohiolink.edu-osu11248052422021-08-03T05:50:17Z Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work Anderson, Timothy Reges Schoenberg Interval Interval Class dissonant Instrument Doublings Z-scores An analysis of the harmonic intervals in a sample of works by Arnold Schoenberg reveals an overall prevalence of consonant intervals. Further, when compared against randomized re-ordering of the same music, analysis reveals an overall preference for consonant intervals. Preference of and preference for dissonant intervals significantly increase during the free atonal and twelve-tone works. However, dissonant interval preference never completely surpasses consonant interval preference. These findings appear to be inconsistent with Schoenberg's own ideals regarding the organization of music. 1999 English text The Ohio State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=osu1124805242 http://rave.ohiolink.edu/etdc/view?acc_num=osu1124805242 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language English
sources NDLTD
topic Schoenberg
Interval
Interval Class
dissonant
Instrument Doublings
Z-scores
spellingShingle Schoenberg
Interval
Interval Class
dissonant
Instrument Doublings
Z-scores
Anderson, Timothy Reges
Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
author Anderson, Timothy Reges
author_facet Anderson, Timothy Reges
author_sort Anderson, Timothy Reges
title Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
title_short Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
title_full Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
title_fullStr Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
title_full_unstemmed Harmonic interval preference in twelve-tone composition: a comparison of theory and practice in Schoenberg's work
title_sort harmonic interval preference in twelve-tone composition: a comparison of theory and practice in schoenberg's work
publisher The Ohio State University / OhioLINK
publishDate 1999
url http://rave.ohiolink.edu/etdc/view?acc_num=osu1124805242
work_keys_str_mv AT andersontimothyreges harmonicintervalpreferenceintwelvetonecompositionacomparisonoftheoryandpracticeinschoenbergswork
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