SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS
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Cleveland State University / OhioLINK
2008
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Online Access: | http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711 |
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ndltd-OhioLink-oai-etd.ohiolink.edu-csu12166657112021-08-03T05:34:43Z SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS Rosby, Amy American Literature Literature John Berryman 77 Dream Songs blackface minstrelsy John Berryman has been criticized for his employment of white performance of blackface minstrelsy's conventions and dialect in 77 Dream Songs because of the complex history of this tradition of blackface's problematic performance of racial fantasy and because of Berryman's designation as a white, confessional poet. However, when one observes the history of this tradition of minstrelsy, its initial reception, its "transcodification" into the white American racial ideology, and subsequent scholarly analyses of its implications, it is evident that Berryman creates an anti-model of minstrelsy which consequently becomes a minstrelsy of "whiteness." Through this anti-model, which shifts the public gaze from "blackness" to "whiteness," Berryman deconstructs each, eliminating the justification for unequal political power based on the faulty ideology of difference. 2008-07-23 English text Cleveland State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711 http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws. |
collection |
NDLTD |
language |
English |
sources |
NDLTD |
topic |
American Literature Literature John Berryman 77 Dream Songs blackface minstrelsy |
spellingShingle |
American Literature Literature John Berryman 77 Dream Songs blackface minstrelsy Rosby, Amy SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
author |
Rosby, Amy |
author_facet |
Rosby, Amy |
author_sort |
Rosby, Amy |
title |
SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
title_short |
SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
title_full |
SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
title_fullStr |
SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
title_full_unstemmed |
SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS |
title_sort |
subverting blackface and the epistemology of american identity in john berryman's 77 dream songs |
publisher |
Cleveland State University / OhioLINK |
publishDate |
2008 |
url |
http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711 |
work_keys_str_mv |
AT rosbyamy subvertingblackfaceandtheepistemologyofamericanidentityinjohnberrymans77dreamsongs |
_version_ |
1719422013667278848 |