Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea

Bibliographic Details
Main Author: Lynch, Jordan
Language:English
Published: Bowling Green State University / OhioLINK 2012
Subjects:
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1333991067
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spelling ndltd-OhioLink-oai-etd.ohiolink.edu-bgsu13339910672021-08-03T05:29:51Z Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea Lynch, Jordan Music jazz harmony voice leading chick corea chromatic thirds chromatic mediants functional harmony planing line-based progressions pedal points ostinato vamps Chick Corea has been and remains one of the most influential jazz pianists of the last 50 years. Throughout his career, he has had a distinct voice in the jazz community and is recognized for his incorporation of many different types of keyboard instruments into his compositions. Beyond timbral innovations, he has composed hundreds of pieces that represent a variety of styles, notably hard bop, post-bop, fusion, and classical. He also took part in the avant-garde jazz movement, through extensive, free group improvisations. Despite his large oeuvre, a surprisingly small amount of scholarly analysis and writing has been devoted to his music. A few theses and articles have examined his improvisations, but even less attention has been paid to his harmonic language. Steven Strunk has presented on Corea’s compositions of the 1960s, but these represent only a small portion of his musical output, and Ramon Satyendra’s article on “Starlight” focuses on a single composition.This thesis first discusses the styles in which Corea has composed and some of the musical attributes of these styles. The bulk of this paper is then devoted to the analysis of several pieces and excerpts of pieces containing specific harmonic features: functional harmony, chromatic-third relationships, harmonic planing, line-based progressions, pedal points, ostinati, and vamps. Within each chapter, general conclusions are made concerning the styles in which specific harmonic structures are evident. 2012-04-09 English text Bowling Green State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1333991067 http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1333991067 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language English
sources NDLTD
topic Music
jazz
harmony
voice leading
chick corea
chromatic thirds
chromatic mediants
functional harmony
planing
line-based progressions
pedal points
ostinato
vamps
spellingShingle Music
jazz
harmony
voice leading
chick corea
chromatic thirds
chromatic mediants
functional harmony
planing
line-based progressions
pedal points
ostinato
vamps
Lynch, Jordan
Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
author Lynch, Jordan
author_facet Lynch, Jordan
author_sort Lynch, Jordan
title Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
title_short Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
title_full Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
title_fullStr Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
title_full_unstemmed Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea
title_sort where have i known this before? an exploration of harmony and voice leading in the compositions of chick corea
publisher Bowling Green State University / OhioLINK
publishDate 2012
url http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1333991067
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