Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations

Bibliographic Details
Main Author: Guo, Shuqing
Language:English
Published: Bowling Green State University / OhioLINK 2011
Subjects:
Online Access:http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300720577
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spelling ndltd-OhioLink-oai-etd.ohiolink.edu-bgsu13007205772021-08-03T05:29:32Z Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations Guo, Shuqing Literature magic power Disney technology Chinese animation semiotics knowledge <p>Whether we are considering Eastern or Western embodiments of technology, it is clear that in both cases artistic products and technology are inseparable. Their mutual correspondence is seen most clearly in the production of narratives that relate power to knowledge. What is the relationship between technology and the arts and culture, and how is this manifested in Chinese and American animated films that attempt to produce narratives of hope, dreams, and magic? This thesis seeks to understand the magic promise that technology offers within and across cultural and temporal locations. </p><p>Technology is a means of maintaining authority. Cultural discourse and the culture industry rely on the reproduction of technology to produce narratives and sublimely influence readers and viewers. In China, animated films produced in association with Disney, or those produced independently, seek to create a similar form of magic that returns the viewer to a process of searching for secrets concealed by the authority to formulate power structures. Globally, the Disney Enterprise has dominated an industry that distributes and spreads cultural myths that tell children about social interactions and that create magical dreams that are appealing to such an audience. Disney’s Mulan is a new world Mulan who transcends time and space but only with her last name added as Disney.</p><p>The present inquiry into technology reviews considerations of art and mechanical reproduction in culture by members of the Frankfurt School, including Walter Benjamin, Theodor Adorno and Max Horkheimer; my thesis examines the past to imagine a future of technological reproducibility by considering the effects of the culture industry on late-capitalism and popular culture by considering the works of Disney as read by Frederic Jameson and Jack Zipes, among other scholars of Disney. Finally, through discussion on Umberto Eco’s semiotics and his popular novel The Name of the Rose, the thesis comes to an end in hoping that we as readers could decode the dominant discourses and authoritative ideologies manifested in magic and technologies in popular culture.</p> 2011-03-23 English text Bowling Green State University / OhioLINK http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300720577 http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300720577 unrestricted This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
collection NDLTD
language English
sources NDLTD
topic Literature
magic power
Disney
technology
Chinese animation
semiotics
knowledge
spellingShingle Literature
magic power
Disney
technology
Chinese animation
semiotics
knowledge
Guo, Shuqing
Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
author Guo, Shuqing
author_facet Guo, Shuqing
author_sort Guo, Shuqing
title Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
title_short Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
title_full Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
title_fullStr Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
title_full_unstemmed Magic, Power, and Knowledge: Technological Reproducibility in Chinese and American Animations
title_sort magic, power, and knowledge: technological reproducibility in chinese and american animations
publisher Bowling Green State University / OhioLINK
publishDate 2011
url http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300720577
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