A voice raised from the dirt
<p>The term "Southern Gothic literature" is frequently used in discussions of works of fiction and plays, but poetry is often left out of the conversation. The critical introduction takes into consideration the established definition and traditional elements of Southern Gothic litera...
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ndltd-MSSTATE-oai-library.msstate.edu-etd-10162013-2224282015-03-17T15:54:59Z A voice raised from the dirt Fulgham, Lisa Beth English <p>The term "Southern Gothic literature" is frequently used in discussions of works of fiction and plays, but poetry is often left out of the conversation. The critical introduction takes into consideration the established definition and traditional elements of Southern Gothic literature as they are applied to fiction and plays in order to find the elements of poetry that constitute the Gothic in American poetry of the South. I discuss the works of Natasha Trethewey and Andrew Hudgins and show how they can be considered modern-day Southern Gothic poets since their poetry contains freakish characters, an obsession with the unchangeable, and violent imagery. Then, I consider how my own work shares with Natasha Trethewey's and Andrew Hudgins's poetry some of these same attributes found in Southern Gothic fiction, thus belonging to the same tradition.</p> Catherine Pierce Becky Hagenston Theodore B. Atkinson MSSTATE 2013-11-25 text application/pdf http://sun.library.msstate.edu/ETD-db/theses/available/etd-10162013-222428/ http://sun.library.msstate.edu/ETD-db/theses/available/etd-10162013-222428/ en restricted I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, Dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Mississippi State University Libraries or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, Dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, Dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, Dissertation, or project report. |
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<p>The term "Southern Gothic literature" is frequently used in discussions of works of fiction and plays, but poetry is often left out of the conversation. The critical introduction takes into consideration the established definition and traditional elements of Southern Gothic literature as they are applied to fiction and plays in order to find the elements of poetry that constitute the Gothic in American poetry of the South. I discuss the works of Natasha Trethewey and Andrew Hudgins and show how they can be considered modern-day Southern Gothic poets since their poetry contains freakish characters, an obsession with the unchangeable, and violent imagery. Then, I consider how my own work shares with Natasha Trethewey's and Andrew Hudgins's poetry some of these same attributes found in Southern Gothic fiction, thus belonging to the same tradition.</p> |
author2 |
Catherine Pierce |
author_facet |
Catherine Pierce Fulgham, Lisa Beth |
author |
Fulgham, Lisa Beth |
author_sort |
Fulgham, Lisa Beth |
title |
A voice raised from the dirt |
title_short |
A voice raised from the dirt |
title_full |
A voice raised from the dirt |
title_fullStr |
A voice raised from the dirt |
title_full_unstemmed |
A voice raised from the dirt |
title_sort |
voice raised from the dirt |
publisher |
MSSTATE |
publishDate |
2013 |
url |
http://sun.library.msstate.edu/ETD-db/theses/available/etd-10162013-222428/ |
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AT fulghamlisabeth avoiceraisedfromthedirt AT fulghamlisabeth voiceraisedfromthedirt |
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