Construction and dismantling N51-113

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999. === Includes bibliographical references (leaves 54-55). === From February 1997 to January 1999, I was provided with a small office N51 - 113 on the ground floor of building N51 . In the spring of 1998 I undertook the...

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Main Author: Komatsu, Toshihiro, 1966-
Other Authors: Edward Levine.
Format: Others
Language:English
Published: Massachusetts Institute of Technology 2012
Subjects:
Online Access:http://hdl.handle.net/1721.1/75624
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spelling ndltd-MIT-oai-dspace.mit.edu-1721.1-756242019-05-02T16:29:08Z Construction and dismantling N51-113 Komatsu, Toshihiro, 1966- Edward Levine. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999. Includes bibliographical references (leaves 54-55). From February 1997 to January 1999, I was provided with a small office N51 - 113 on the ground floor of building N51 . In the spring of 1998 I undertook the construction of a full scale inverted replica of this office as a free standing pavilion extracted from the body of its architectural context. This pavilion, situated at the entrance gate of the courtyard of building N51 was carefully replicated using identical materials and exact scale for every detail. By inverting the walls of my office, interior and exterior surfaces are exactly turned inside-out. In the fall of 1998 the pavilion was completed and inaugurated unobtrusively to the inhabitants of its immediate neighbourhood. Soon after completion, weather conditions began the gradual deterioration of the exposed drywall of the pavilion's walls, this decreased the organization of the pavilion, while increasing entropy of the inverted room, as it was extracted from the body of building N51, and exposed, allowing the inevitable process of decay. I realized that every detail event in this process, of construction and entropy, has aesthetic meaning. My subsequent dismantling of this pavilion addresses the issue of time and temporality within the processes of appearing and disappearing. In late January 1999 I carefully dismantled the pavilion piece by piece, reversing the construction process from the end to the beginning, completing the cycle. Construction and Dismantling mirror each other's temporal sequence. by Toshihiro Komatsu. S.M. 2012-12-13T18:47:05Z 2012-12-13T18:47:05Z 1999 1999 Thesis http://hdl.handle.net/1721.1/75624 42618288 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 55 leaves application/pdf Massachusetts Institute of Technology
collection NDLTD
language English
format Others
sources NDLTD
topic Architecture.
spellingShingle Architecture.
Komatsu, Toshihiro, 1966-
Construction and dismantling N51-113
description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999. === Includes bibliographical references (leaves 54-55). === From February 1997 to January 1999, I was provided with a small office N51 - 113 on the ground floor of building N51 . In the spring of 1998 I undertook the construction of a full scale inverted replica of this office as a free standing pavilion extracted from the body of its architectural context. This pavilion, situated at the entrance gate of the courtyard of building N51 was carefully replicated using identical materials and exact scale for every detail. By inverting the walls of my office, interior and exterior surfaces are exactly turned inside-out. In the fall of 1998 the pavilion was completed and inaugurated unobtrusively to the inhabitants of its immediate neighbourhood. Soon after completion, weather conditions began the gradual deterioration of the exposed drywall of the pavilion's walls, this decreased the organization of the pavilion, while increasing entropy of the inverted room, as it was extracted from the body of building N51, and exposed, allowing the inevitable process of decay. I realized that every detail event in this process, of construction and entropy, has aesthetic meaning. My subsequent dismantling of this pavilion addresses the issue of time and temporality within the processes of appearing and disappearing. In late January 1999 I carefully dismantled the pavilion piece by piece, reversing the construction process from the end to the beginning, completing the cycle. Construction and Dismantling mirror each other's temporal sequence. === by Toshihiro Komatsu. === S.M.
author2 Edward Levine.
author_facet Edward Levine.
Komatsu, Toshihiro, 1966-
author Komatsu, Toshihiro, 1966-
author_sort Komatsu, Toshihiro, 1966-
title Construction and dismantling N51-113
title_short Construction and dismantling N51-113
title_full Construction and dismantling N51-113
title_fullStr Construction and dismantling N51-113
title_full_unstemmed Construction and dismantling N51-113
title_sort construction and dismantling n51-113
publisher Massachusetts Institute of Technology
publishDate 2012
url http://hdl.handle.net/1721.1/75624
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