From artifact to site : understanding the canal in the city of gardens
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009. === Includes bibliographical references (p. 125-128). === The words 'garden' and 'infrastructure' express the power of culture over nature. In celebration of its history of Mughal gardens and water...
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ndltd-MIT-oai-dspace.mit.edu-1721.1-497192019-05-02T16:02:59Z From artifact to site : understanding the canal in the city of gardens Rehman, Nida Julian Beinart. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009. Includes bibliographical references (p. 125-128). The words 'garden' and 'infrastructure' express the power of culture over nature. In celebration of its history of Mughal gardens and waterworks, Lahore has been construed in local imaginations as "the city of gardens". In this thesis I argue that the contemporary usage of this popular urban motif is rooted in the nineteenth-century planning of the city and the concurrent development of the vast canal irrigation system in the Punjab. I examine the Lahore Canal to evidence how it shapes not only the form of the city but also its character: at the end of the nineteenth century Lahore is transformed into a center of culture and refinement, "the city of gardens". This thesis looks at the story of the modernization of a landscape to transform it from an "arid desert" into a "fertile garden", in two parts. First I examine the canal, the instrument of this transformation, as an artifact of a technological system. I argue that, in this capacity, it is a conduit for ideas of reform and cultivation that accompany colonial planning and that these ideas later emerge within the city-of-gardens rhetoric. In the context of contemporary urban issues, a sentimental identification with the Mughal history of gardens ignores the colonial themes of decay, fertility and beauty. I argue that a continued uncritical attachment to the city-of-gardens narrative obfuscates planning challenges in the city through a continuing emphasis on landscape beautification. This approach is not just irrelevant but pernicious to topical thinking about equitable and sustainable development. (cont.) In the second part of the thesis I explore the canal as a site for contemporary urban planning. By identifying the themes explored in part one in the built form, I propose an expanded program for future design directions. Nida Rehman. M.Arch. 2009-11-06T16:24:41Z 2009-11-06T16:24:41Z 2009 2009 Thesis http://hdl.handle.net/1721.1/49719 437429824 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 128 p. application/pdf a-ii--- Massachusetts Institute of Technology |
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Architecture. Rehman, Nida From artifact to site : understanding the canal in the city of gardens |
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009. === Includes bibliographical references (p. 125-128). === The words 'garden' and 'infrastructure' express the power of culture over nature. In celebration of its history of Mughal gardens and waterworks, Lahore has been construed in local imaginations as "the city of gardens". In this thesis I argue that the contemporary usage of this popular urban motif is rooted in the nineteenth-century planning of the city and the concurrent development of the vast canal irrigation system in the Punjab. I examine the Lahore Canal to evidence how it shapes not only the form of the city but also its character: at the end of the nineteenth century Lahore is transformed into a center of culture and refinement, "the city of gardens". This thesis looks at the story of the modernization of a landscape to transform it from an "arid desert" into a "fertile garden", in two parts. First I examine the canal, the instrument of this transformation, as an artifact of a technological system. I argue that, in this capacity, it is a conduit for ideas of reform and cultivation that accompany colonial planning and that these ideas later emerge within the city-of-gardens rhetoric. In the context of contemporary urban issues, a sentimental identification with the Mughal history of gardens ignores the colonial themes of decay, fertility and beauty. I argue that a continued uncritical attachment to the city-of-gardens narrative obfuscates planning challenges in the city through a continuing emphasis on landscape beautification. This approach is not just irrelevant but pernicious to topical thinking about equitable and sustainable development. === (cont.) In the second part of the thesis I explore the canal as a site for contemporary urban planning. By identifying the themes explored in part one in the built form, I propose an expanded program for future design directions. === Nida Rehman. === M.Arch. |
author2 |
Julian Beinart. |
author_facet |
Julian Beinart. Rehman, Nida |
author |
Rehman, Nida |
author_sort |
Rehman, Nida |
title |
From artifact to site : understanding the canal in the city of gardens |
title_short |
From artifact to site : understanding the canal in the city of gardens |
title_full |
From artifact to site : understanding the canal in the city of gardens |
title_fullStr |
From artifact to site : understanding the canal in the city of gardens |
title_full_unstemmed |
From artifact to site : understanding the canal in the city of gardens |
title_sort |
from artifact to site : understanding the canal in the city of gardens |
publisher |
Massachusetts Institute of Technology |
publishDate |
2009 |
url |
http://hdl.handle.net/1721.1/49719 |
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