Being in the world as if there's nothing from the first : a praxis-framework for emergence

Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, September, September, 2020 === Cataloged from the official PDF of thesis. === Includes bibliographical references (pages 81-84). === Life is an ongoing process of unfolding within a contin...

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Main Author: Tang, Casey.
Other Authors: Massachusetts Institute of Technology. Department of Architecture.
Format: Others
Language:English
Published: Massachusetts Institute of Technology 2021
Subjects:
Online Access:https://hdl.handle.net/1721.1/138585
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spelling ndltd-MIT-oai-dspace.mit.edu-1721.1-1385852021-12-19T05:16:43Z Being in the world as if there's nothing from the first : a praxis-framework for emergence Tang, Casey. Massachusetts Institute of Technology. Department of Architecture. Massachusetts Institute of Technology. Department of Architecture Architecture. Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, September, September, 2020 Cataloged from the official PDF of thesis. Includes bibliographical references (pages 81-84). Life is an ongoing process of unfolding within a continuum of matter-cognition-semiotics. Evolutionary dynamics and biophysical forces exhibit end-directed (teleonomic) behavior. They increase interconnection over time, integrating antecedent foundational emergent layers into new aggregations, with their own forms, semiotics, and cognition capable of better navigating the environment from which it emerged. Our current technologies and systems, an outcome of these currents of aggregation and agency, are increasing capabilities to interconnect and integrate across abiotic, biotic, semiotic, and cognitive spheres, leading to strong emergence and enframing. Critical aesthetic practices enable us to become conscious of the dominant epistemic, technological, and semantic structures that have become enmeshed in our perception giving us more agency, increasing our evolutionary flexibility, and allowing us to influence our becoming. By understanding underlying biophysical forces, evolutionary dynamics, and the relation of entities as a space inseparable from "Being," artists and cultural producers engaged in critical aesthetic practice can more easily perceive, embody, and analyze deep interconnections and dynamics within a world of increasing integration and complexity. by Casey Tang. S.M. in Art, Culture and Technology S.M. in Art, Culture and Technology Massachusetts Institute of Technology, Department of Architecture 2021-12-17T18:24:14Z 2021-12-17T18:24:14Z 2020 2020 Thesis https://hdl.handle.net/1721.1/138585 1288601078 eng MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided. http://dspace.mit.edu/handle/1721.1/7582 84 pages application/pdf Massachusetts Institute of Technology
collection NDLTD
language English
format Others
sources NDLTD
topic Architecture.
spellingShingle Architecture.
Tang, Casey.
Being in the world as if there's nothing from the first : a praxis-framework for emergence
description Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, September, September, 2020 === Cataloged from the official PDF of thesis. === Includes bibliographical references (pages 81-84). === Life is an ongoing process of unfolding within a continuum of matter-cognition-semiotics. Evolutionary dynamics and biophysical forces exhibit end-directed (teleonomic) behavior. They increase interconnection over time, integrating antecedent foundational emergent layers into new aggregations, with their own forms, semiotics, and cognition capable of better navigating the environment from which it emerged. Our current technologies and systems, an outcome of these currents of aggregation and agency, are increasing capabilities to interconnect and integrate across abiotic, biotic, semiotic, and cognitive spheres, leading to strong emergence and enframing. Critical aesthetic practices enable us to become conscious of the dominant epistemic, technological, and semantic structures that have become enmeshed in our perception giving us more agency, increasing our evolutionary flexibility, and allowing us to influence our becoming. By understanding underlying biophysical forces, evolutionary dynamics, and the relation of entities as a space inseparable from "Being," artists and cultural producers engaged in critical aesthetic practice can more easily perceive, embody, and analyze deep interconnections and dynamics within a world of increasing integration and complexity. === by Casey Tang. === S.M. in Art, Culture and Technology === S.M. in Art, Culture and Technology Massachusetts Institute of Technology, Department of Architecture
author2 Massachusetts Institute of Technology. Department of Architecture.
author_facet Massachusetts Institute of Technology. Department of Architecture.
Tang, Casey.
author Tang, Casey.
author_sort Tang, Casey.
title Being in the world as if there's nothing from the first : a praxis-framework for emergence
title_short Being in the world as if there's nothing from the first : a praxis-framework for emergence
title_full Being in the world as if there's nothing from the first : a praxis-framework for emergence
title_fullStr Being in the world as if there's nothing from the first : a praxis-framework for emergence
title_full_unstemmed Being in the world as if there's nothing from the first : a praxis-framework for emergence
title_sort being in the world as if there's nothing from the first : a praxis-framework for emergence
publisher Massachusetts Institute of Technology
publishDate 2021
url https://hdl.handle.net/1721.1/138585
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