The ecology of truth

Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018. === Cataloged from PDF version of thesis. Page 82 blank. === Includes bibliographical references (pages 80-81). === The spaces we inhabit influence the way we experience our surroundings, but this causal relat...

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Bibliographic Details
Main Author: Schneider, Samuel (Samuel Raphael)
Other Authors: Azra Akšamija.
Format: Others
Language:English
Published: Massachusetts Institute of Technology 2018
Subjects:
Online Access:http://hdl.handle.net/1721.1/118692
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spelling ndltd-MIT-oai-dspace.mit.edu-1721.1-1186922019-05-02T15:58:55Z The ecology of truth Schneider, Samuel (Samuel Raphael) Azra Akšamija. Massachusetts Institute of Technology. Department of Architecture. Massachusetts Institute of Technology. Department of Architecture. Architecture. Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018. Cataloged from PDF version of thesis. Page 82 blank. Includes bibliographical references (pages 80-81). The spaces we inhabit influence the way we experience our surroundings, but this causal relationship is much weaker than designers and architects like to imagine. The Ecology of Truth investigates these weak effects as a mesoscope; a device designed to interrogate the spaces and relationships between the microscopic-the lab, and the macroscopic-the Institute. The work draws on the aesthetic of the laboratory at MIT-both transparent and reflective-visible, yet inaccessible. In addition to its aforementioned aesthetic influences, The Ecology of Truth derives its esthetic influence from the solipsistic world of architectural language, blending it with scopic histories that run throughout the development of modern science. If the project has a single inspiration it is the Wunderkammer-also known as cabinet of curiosities-the idea that a unified curation of its contained objects re-assembles their spatial lives, turning 'real' objects into a mythic, often singular narratives of the world-a miniature ecological prism, with various competing truths. The life of the work is dynamic-moving around the institute, it captures scientific curios bound for the trash, repurposing them as a narrative gallery of failed objets-types-modern tools transformed into contingent objects of contemporary space. While on the move, the cabinet turns eyes, and hopefully some of the minds behind those puzzled and curious glances. If not, the artist hopes the viewers enjoyed seeing a reflective box, punctuated by apertures, filled with shiny things! Who doesn't like shiny things? by Samuel Schneider. M. Arch. 2018-10-22T18:45:09Z 2018-10-22T18:45:09Z 2018 2018 Thesis http://hdl.handle.net/1721.1/118692 1056953571 eng MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission. http://dspace.mit.edu/handle/1721.1/7582 82 pages application/pdf Massachusetts Institute of Technology
collection NDLTD
language English
format Others
sources NDLTD
topic Architecture.
spellingShingle Architecture.
Schneider, Samuel (Samuel Raphael)
The ecology of truth
description Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018. === Cataloged from PDF version of thesis. Page 82 blank. === Includes bibliographical references (pages 80-81). === The spaces we inhabit influence the way we experience our surroundings, but this causal relationship is much weaker than designers and architects like to imagine. The Ecology of Truth investigates these weak effects as a mesoscope; a device designed to interrogate the spaces and relationships between the microscopic-the lab, and the macroscopic-the Institute. The work draws on the aesthetic of the laboratory at MIT-both transparent and reflective-visible, yet inaccessible. In addition to its aforementioned aesthetic influences, The Ecology of Truth derives its esthetic influence from the solipsistic world of architectural language, blending it with scopic histories that run throughout the development of modern science. If the project has a single inspiration it is the Wunderkammer-also known as cabinet of curiosities-the idea that a unified curation of its contained objects re-assembles their spatial lives, turning 'real' objects into a mythic, often singular narratives of the world-a miniature ecological prism, with various competing truths. The life of the work is dynamic-moving around the institute, it captures scientific curios bound for the trash, repurposing them as a narrative gallery of failed objets-types-modern tools transformed into contingent objects of contemporary space. While on the move, the cabinet turns eyes, and hopefully some of the minds behind those puzzled and curious glances. If not, the artist hopes the viewers enjoyed seeing a reflective box, punctuated by apertures, filled with shiny things! Who doesn't like shiny things? === by Samuel Schneider. === M. Arch.
author2 Azra Akšamija.
author_facet Azra Akšamija.
Schneider, Samuel (Samuel Raphael)
author Schneider, Samuel (Samuel Raphael)
author_sort Schneider, Samuel (Samuel Raphael)
title The ecology of truth
title_short The ecology of truth
title_full The ecology of truth
title_fullStr The ecology of truth
title_full_unstemmed The ecology of truth
title_sort ecology of truth
publisher Massachusetts Institute of Technology
publishDate 2018
url http://hdl.handle.net/1721.1/118692
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