Bacon on metal, situations, objects, and architectural connotation

An architecture must be developed that understands its inherent capabilities and limitations to communicate to its public audience through architectural connotation--architecture that is conscious of its implicit meaning--such is the goal of this thesis. Semiotics, visual art, and architecture (theo...

Full description

Bibliographic Details
Main Author: Troppmann, Joseph Anthony
Language:en_US
Published: 2007
Online Access:http://hdl.handle.net/1993/919
id ndltd-MANITOBA-oai-mspace.lib.umanitoba.ca-1993-919
record_format oai_dc
spelling ndltd-MANITOBA-oai-mspace.lib.umanitoba.ca-1993-9192014-01-31T03:30:23Z Bacon on metal, situations, objects, and architectural connotation Troppmann, Joseph Anthony An architecture must be developed that understands its inherent capabilities and limitations to communicate to its public audience through architectural connotation--architecture that is conscious of its implicit meaning--such is the goal of this thesis. Semiotics, visual art, and architecture (theoretical and built) provide a framework that permit an analysis of architectural connotation. Semiotic terminology including, sign, denotation and connotation, are translated to architecturally relevant terms. Works from the visual arts and architecture serve as examples of how connotation applied to the consumption of buildings and art. Architectural theory provides a basis for a definition of architecture and building that establishes the body as the 'site of reception' of architecture. In turn buildings are examined as a series of 'architectural objects': situation, surface, massing, space, program, event, and body. It is through a methodical re-composition of these elements into critical relationships that permits the production of architectural connotation--in theoretical and built contexts. These theoretical propositions are then explored in a series of visual experiments. Through collage and computer animation the architectural objects and their relevance to communication are further clarified. In conjunction with these experiments a point form text entitled the connotation cookbook is developed as a portable theoretical precis of the investigation. The primary intention of the cookbook is to provide a resource for the production of architecture that is interested in communicating to a diverse multi-cultural society. The ideas presented in the visual experiments and the connotation cookbook are then implemented in the design of a 15 story tall, 1 block large, multiple program building entitled the Offidential-Restactory. This investigation provides a comprehensive examination of how architecture is capable of communicating and carries it through from theory to building. (Abstract shortened by UMI.) 2007-05-15T15:21:19Z 2007-05-15T15:21:19Z 1997-09-01T00:00:00Z http://hdl.handle.net/1993/919 en_US
collection NDLTD
language en_US
sources NDLTD
description An architecture must be developed that understands its inherent capabilities and limitations to communicate to its public audience through architectural connotation--architecture that is conscious of its implicit meaning--such is the goal of this thesis. Semiotics, visual art, and architecture (theoretical and built) provide a framework that permit an analysis of architectural connotation. Semiotic terminology including, sign, denotation and connotation, are translated to architecturally relevant terms. Works from the visual arts and architecture serve as examples of how connotation applied to the consumption of buildings and art. Architectural theory provides a basis for a definition of architecture and building that establishes the body as the 'site of reception' of architecture. In turn buildings are examined as a series of 'architectural objects': situation, surface, massing, space, program, event, and body. It is through a methodical re-composition of these elements into critical relationships that permits the production of architectural connotation--in theoretical and built contexts. These theoretical propositions are then explored in a series of visual experiments. Through collage and computer animation the architectural objects and their relevance to communication are further clarified. In conjunction with these experiments a point form text entitled the connotation cookbook is developed as a portable theoretical precis of the investigation. The primary intention of the cookbook is to provide a resource for the production of architecture that is interested in communicating to a diverse multi-cultural society. The ideas presented in the visual experiments and the connotation cookbook are then implemented in the design of a 15 story tall, 1 block large, multiple program building entitled the Offidential-Restactory. This investigation provides a comprehensive examination of how architecture is capable of communicating and carries it through from theory to building. (Abstract shortened by UMI.)
author Troppmann, Joseph Anthony
spellingShingle Troppmann, Joseph Anthony
Bacon on metal, situations, objects, and architectural connotation
author_facet Troppmann, Joseph Anthony
author_sort Troppmann, Joseph Anthony
title Bacon on metal, situations, objects, and architectural connotation
title_short Bacon on metal, situations, objects, and architectural connotation
title_full Bacon on metal, situations, objects, and architectural connotation
title_fullStr Bacon on metal, situations, objects, and architectural connotation
title_full_unstemmed Bacon on metal, situations, objects, and architectural connotation
title_sort bacon on metal, situations, objects, and architectural connotation
publishDate 2007
url http://hdl.handle.net/1993/919
work_keys_str_mv AT troppmannjosephanthony bacononmetalsituationsobjectsandarchitecturalconnotation
_version_ 1716628144209788928