It’s not just about birds: the other negative space in Alfred Hitchcock – cinematic dream vernacular and the phenomenology of fear
Foundational to almost any Hitchcock film is the idea of the voyeur: the (un)natural inclination to want to look upon the private, obscene, and potentially grizzly instances in other peoples’ lives. Such inclinations are typically satiated in secret and subsequently denied as something we desire....
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2013
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| Online Access: | http://hdl.handle.net/1993/22079 |