All the World's a Stage: Pageantry as Propaganda at the Court of Elizabeth I, 1558-1569

Elizabeth I of England was one of the most celebrated monarchs in history. Authors, playwrights, and artists venerated her in their art. At her accession, however, her subjects were unsure about their new queen. She was an illegitimate female ruling a religiously divided kingdom. In response to this...

Full description

Bibliographic Details
Main Author: Reynolds, Kimberly Kay
Other Authors: Suzanne L. Marchand
Format: Others
Language:en
Published: LSU 2006
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-11142006-155008/
Description
Summary:Elizabeth I of England was one of the most celebrated monarchs in history. Authors, playwrights, and artists venerated her in their art. At her accession, however, her subjects were unsure about their new queen. She was an illegitimate female ruling a religiously divided kingdom. In response to this, Elizabeth and her council initiated a propaganda campaign that created an image of Elizabeth as a wise, just, and well-beloved ruler. This thesis will examine Elizabeths coronation procession, the performance of plays and masques at court, and the queens annual progresses to show how Elizabeth and her subjects used drama, pageantry, and spectacle to communicate with each other, laying the foundation for the Cult of Gloriana.