The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center

In this study of The Central Garden at the J. Paul Getty Center was found evidence that the Central Garden designed by Robert Irwin is a postmodern garden. Beginning with an evaluation and description of the individual elements and conditions of the garden, the study then explores the larger body of...

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Main Author: Zell, Jennifer Kay
Other Authors: Cathy S. Marshall
Format: Others
Language:en
Published: LSU 2007
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-11122007-141814/
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spelling ndltd-LSU-oai-etd.lsu.edu-etd-11122007-1418142013-01-07T22:51:25Z The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center Zell, Jennifer Kay Landscape Architecture In this study of The Central Garden at the J. Paul Getty Center was found evidence that the Central Garden designed by Robert Irwin is a postmodern garden. Beginning with an evaluation and description of the individual elements and conditions of the garden, the study then explores the larger body of artistic work produced by Irwin. This investigation also extrapolates how the ideas of modernism and postmodernism have been applied to past works of landscape architecture. The precedents provide a basis for interpretation and analysis of the Central Garden. Direct observation of visitors at the Central Garden provided evidence of the gardenâs success as a perceptual work of art. Evaluating the Central Garden by how it choreographs and conditions individual perceptions is important in understanding the work as a postmodern garden. The J. Paul Getty Center is an ideal venue for a comparison between modern and postmodern forms. At the center clear evidence can be seen of the contrasting ideologies between the phenomenal and conditional concerns of Robert Irwin in the Central Garden and the Euclidian timelessness expressed in Richard Meierâs Getty Center buildings and site layout. The Central Garden is a postmodern garden because it abandons classic geometric order and presents instead a formal and organizational structure similar to what postmodern theorist and architect Robert Venturi describes as a difficult whole. The garden displays an internally coherent organization and an order not derived from the architecture. Irwin also recombined past garden types into a new composition. The Central Garden does not present an artistic conception to be translated by the user nor does the garden design imply a pure or universal form. Cathy S. Marshall Kenneth Michaels Michael Desmond Max Z. Conrad LSU 2007-11-14 text application/pdf http://etd.lsu.edu/docs/available/etd-11122007-141814/ http://etd.lsu.edu/docs/available/etd-11122007-141814/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Landscape Architecture
spellingShingle Landscape Architecture
Zell, Jennifer Kay
The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
description In this study of The Central Garden at the J. Paul Getty Center was found evidence that the Central Garden designed by Robert Irwin is a postmodern garden. Beginning with an evaluation and description of the individual elements and conditions of the garden, the study then explores the larger body of artistic work produced by Irwin. This investigation also extrapolates how the ideas of modernism and postmodernism have been applied to past works of landscape architecture. The precedents provide a basis for interpretation and analysis of the Central Garden. Direct observation of visitors at the Central Garden provided evidence of the gardenâs success as a perceptual work of art. Evaluating the Central Garden by how it choreographs and conditions individual perceptions is important in understanding the work as a postmodern garden. The J. Paul Getty Center is an ideal venue for a comparison between modern and postmodern forms. At the center clear evidence can be seen of the contrasting ideologies between the phenomenal and conditional concerns of Robert Irwin in the Central Garden and the Euclidian timelessness expressed in Richard Meierâs Getty Center buildings and site layout. The Central Garden is a postmodern garden because it abandons classic geometric order and presents instead a formal and organizational structure similar to what postmodern theorist and architect Robert Venturi describes as a difficult whole. The garden displays an internally coherent organization and an order not derived from the architecture. Irwin also recombined past garden types into a new composition. The Central Garden does not present an artistic conception to be translated by the user nor does the garden design imply a pure or universal form.
author2 Cathy S. Marshall
author_facet Cathy S. Marshall
Zell, Jennifer Kay
author Zell, Jennifer Kay
author_sort Zell, Jennifer Kay
title The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
title_short The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
title_full The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
title_fullStr The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
title_full_unstemmed The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center
title_sort art of perception: robert irwin's central garden at the j. paul getty center
publisher LSU
publishDate 2007
url http://etd.lsu.edu/docs/available/etd-11122007-141814/
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