The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space

This dissertation explores U.S. monuments as contested sites where marginalized groups who have been either omitted or villianized in the original monument at a site have sought to gain inclusion and have their narratives of the past articulated on U.S. sacred sites. My project expands on academic l...

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Main Author: McGeough, Ryan Erik
Other Authors: Sarkar, Husain
Format: Others
Language:en
Published: LSU 2011
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-10312011-123708/
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spelling ndltd-LSU-oai-etd.lsu.edu-etd-10312011-1237082013-01-07T22:53:39Z The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space McGeough, Ryan Erik Communication Studies This dissertation explores U.S. monuments as contested sites where marginalized groups who have been either omitted or villianized in the original monument at a site have sought to gain inclusion and have their narratives of the past articulated on U.S. sacred sites. My project expands on academic literature on German counter-monuments and links American counter-monuments to this field of study. Following my analysis of three German counter-monuments, this project explores three American counter-monuments: Chicagos Haymarket Square, Liberty Place in New Orleans, and the Vietnam Veterans Memorial in Washington D.C., which offer examples of struggles over public memory on issues of class (Haymarket Square), race (Liberty Place), and sex (Vietnam Veterans Memorial). I selected each site intentionally because each has been marked with an original monument, as well as served as a site where the narrative contained in that monument has been challenged by those denied representation on the sacred site. Each has been altered significantly since the creation of its original monument, and has also been the locus of vernacular performances and responses in the years since the inception of the original monuments. Accordingly, my dissertation offers a critical analysis of the aforementioned counter-monuments by exploring four central traits of counter-monuments: 1) the evolution of monumental sites, 2) presence, absence, and irony, 3) the monuments relation to sacred space, and 4) the use of the site as a forum. I argue that American counter-monuments begin with competing claims to a sacred space, the eventual creation of multiple monuments (each representing a different perspective on how the past should be remembered), and the representation of the development of the site across time. Ultimately, those in control of each site have attempted to reconcile the competing perspectives under some transcendent ideal, thus rearticulating the different perspectives not as competing, but as different perspectives pursuing common American ideals. Both by gaining access to build a monument at U.S. sacred sites, and by having this monument marked as a perspective contributing to an American ideal, counter-monuments offer spaces at which U.S. public memory has been expanded to include previously marginalized perspectives. Sarkar, Husain Sanders, Meghan Bowman, Ruth Crick, Nathan King, Andrew LSU 2011-11-01 text application/pdf http://etd.lsu.edu/docs/available/etd-10312011-123708/ http://etd.lsu.edu/docs/available/etd-10312011-123708/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Communication Studies
spellingShingle Communication Studies
McGeough, Ryan Erik
The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
description This dissertation explores U.S. monuments as contested sites where marginalized groups who have been either omitted or villianized in the original monument at a site have sought to gain inclusion and have their narratives of the past articulated on U.S. sacred sites. My project expands on academic literature on German counter-monuments and links American counter-monuments to this field of study. Following my analysis of three German counter-monuments, this project explores three American counter-monuments: Chicagos Haymarket Square, Liberty Place in New Orleans, and the Vietnam Veterans Memorial in Washington D.C., which offer examples of struggles over public memory on issues of class (Haymarket Square), race (Liberty Place), and sex (Vietnam Veterans Memorial). I selected each site intentionally because each has been marked with an original monument, as well as served as a site where the narrative contained in that monument has been challenged by those denied representation on the sacred site. Each has been altered significantly since the creation of its original monument, and has also been the locus of vernacular performances and responses in the years since the inception of the original monuments. Accordingly, my dissertation offers a critical analysis of the aforementioned counter-monuments by exploring four central traits of counter-monuments: 1) the evolution of monumental sites, 2) presence, absence, and irony, 3) the monuments relation to sacred space, and 4) the use of the site as a forum. I argue that American counter-monuments begin with competing claims to a sacred space, the eventual creation of multiple monuments (each representing a different perspective on how the past should be remembered), and the representation of the development of the site across time. Ultimately, those in control of each site have attempted to reconcile the competing perspectives under some transcendent ideal, thus rearticulating the different perspectives not as competing, but as different perspectives pursuing common American ideals. Both by gaining access to build a monument at U.S. sacred sites, and by having this monument marked as a perspective contributing to an American ideal, counter-monuments offer spaces at which U.S. public memory has been expanded to include previously marginalized perspectives.
author2 Sarkar, Husain
author_facet Sarkar, Husain
McGeough, Ryan Erik
author McGeough, Ryan Erik
author_sort McGeough, Ryan Erik
title The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
title_short The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
title_full The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
title_fullStr The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
title_full_unstemmed The American Counter-Monumental Tradition: Renegotiating Memory and the Evolution of American Sacred Space
title_sort american counter-monumental tradition: renegotiating memory and the evolution of american sacred space
publisher LSU
publishDate 2011
url http://etd.lsu.edu/docs/available/etd-10312011-123708/
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