The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians
The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure t...
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ndltd-LSU-oai-etd.lsu.edu-etd-07112006-1235242013-01-07T22:50:44Z The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians Rose, Leslie Paige Music The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure the effects of contextual interference practice conditions on the acquisition, retention, and transfer of a complex taskright hand lead percussion sticking technique among university musicians. All participants (N = 120) demonstrated rhythmic competency for the task, and were necessarily unable to perform the sticking technique with accuracy at the start of treatment. Three treatment groups experienced an acquisition phase, in which they learning sticking patterns in blocked, varied, and control conditions. All participants took part in two retention and transfer tasks, with the objective of employing correct sticking patterns and rhythms. The first occurred five minutes after acquisition. The second followed latency periods of thirty minutes, one hour, six hours, or twenty-four hours. Performances were evaluated according to rhythm and pattern accuracy. Evidence of a contextual interference effect resided in the acquisition phase, where varied participants experienced more error than blocked counterparts; however, in subsequent retention and transfer tasks, the rhythm and pattern accuracy for both groups was equivalent. Primary performance area had a significant effect on rhythm and pattern accuracy during the pretest, retention, and transfer tasks; vocalists scored significantly below instrumentalists. Effects of posttest retention and transfer latency timings were absent. Overall, slight increases in rhythm accuracy and significant increases in pattern accuracy occurred from pretest to retention. These increases may indicate that the visual image of the music or kinesthetic feel of the task could have enhanced the music motor skill retention in this study. Both rhythm and pattern accuracy scores declined during the transfer task, and could be attributed to the interference of pattern on rhythm within a complex task. Observation of control participants acquisition phases and all participants sight reading preparation revealed that most participants approaches to self-structured practice were simplistic with regard to problem solving. James L. Byo Jane W. Cassidy Evelyn Orman Allison McFarland Rebecca Ellis Gardner LSU 2006-07-12 text application/pdf http://etd.lsu.edu/docs/available/etd-07112006-123524/ http://etd.lsu.edu/docs/available/etd-07112006-123524/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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Music Rose, Leslie Paige The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
description |
The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure the effects of contextual interference practice conditions on the acquisition, retention, and transfer of a complex taskright hand lead percussion sticking technique among university musicians.
All participants (N = 120) demonstrated rhythmic competency for the task, and were necessarily unable to perform the sticking technique with accuracy at the start of treatment. Three treatment groups experienced an acquisition phase, in which they learning sticking patterns in blocked, varied, and control conditions. All participants took part in two retention and transfer tasks, with the objective of employing correct sticking patterns and rhythms. The first occurred five minutes after acquisition. The second followed latency periods of thirty minutes, one hour, six hours, or twenty-four hours. Performances were evaluated according to rhythm and pattern accuracy.
Evidence of a contextual interference effect resided in the acquisition phase, where varied participants experienced more error than blocked counterparts; however, in subsequent retention and transfer tasks, the rhythm and pattern accuracy for both groups was equivalent. Primary performance area had a significant effect on rhythm and pattern accuracy during the pretest, retention, and transfer tasks; vocalists scored significantly below instrumentalists. Effects of posttest retention and transfer latency timings were absent.
Overall, slight increases in rhythm accuracy and significant increases in pattern accuracy occurred from pretest to retention. These increases may indicate that the visual image of the music or kinesthetic feel of the task could have enhanced the music motor skill retention in this study. Both rhythm and pattern accuracy scores declined during the transfer task, and could be attributed to the interference of pattern on rhythm within a complex task. Observation of control participants acquisition phases and all participants sight reading preparation revealed that most participants approaches to self-structured practice were simplistic with regard to problem solving.
|
author2 |
James L. Byo |
author_facet |
James L. Byo Rose, Leslie Paige |
author |
Rose, Leslie Paige |
author_sort |
Rose, Leslie Paige |
title |
The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
title_short |
The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
title_full |
The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
title_fullStr |
The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
title_full_unstemmed |
The Effects of Contextual Interference on the Acquisition, Retention, and Transfer of a Music Motor Skill among University Musicians |
title_sort |
effects of contextual interference on the acquisition, retention, and transfer of a music motor skill among university musicians |
publisher |
LSU |
publishDate |
2006 |
url |
http://etd.lsu.edu/docs/available/etd-07112006-123524/ |
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