Under Construction: Recollecting the Museum of the Moving Image

On February 27, 2008 the Museum of the Moving Image launched its $65 million renovation and expansion with a digital groundbreaking. Since opening its doors in Astoria, New York in 1988, the museum, originally devoted to film and television, has embraced digital media. From its Hollywood East Astori...

Full description

Bibliographic Details
Main Author: Betancourt, Andr&eacutee Elise Comiskey
Other Authors: Ruth Laurion Bowman
Format: Others
Language:en
Published: LSU 2009
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-07092009-032536/
id ndltd-LSU-oai-etd.lsu.edu-etd-07092009-032536
record_format oai_dc
spelling ndltd-LSU-oai-etd.lsu.edu-etd-07092009-0325362013-01-07T22:52:22Z Under Construction: Recollecting the Museum of the Moving Image Betancourt, Andr&eacutee Elise Comiskey Communication Studies On February 27, 2008 the Museum of the Moving Image launched its $65 million renovation and expansion with a digital groundbreaking. Since opening its doors in Astoria, New York in 1988, the museum, originally devoted to film and television, has embraced digital media. From its Hollywood East Astoria Studio historic landmark site to its popular website, the Museum of the Moving Image provides a unique setting for studying the museumification of moving image culture, particularly the production and consumption of moving images. In response to the Museum of the Moving Images domestication of moving image culture in its core exhibition, <i>Behind the Screen</i>, this study recollects the museum and in doing so performs an alternative domestication. The alternative domestication modeled by this study involves critically touring and detouring the core exhibition in an effort to reframe notions such as home, family, work, and play in relation to moving image culture in a manner that extends beyond the walls of the museum and problematizes particular practices of display. In response to specific instances of domestication in <i>Behind the Screen</i>, the major stops on the tour are: the interactive Video Flipbook experience; the movie palace installation <i>Tuts Fever</i>, a commissioned art work by Red Grooms in collaboration with Lysiane Luong; and the artifact Martins First Haircut, a home movie produced in 1947 by Irving Shaw, the father of Rochelle Slovin, the museums founding director. Poised at a critical point in the museums development, this study is attentive to the transitory nature of museums, and it demonstrates ways in which we recollect our memories and ourselves through museum-going and technologies of reproduction. Ruth Laurion Bowman Michael S. Bowman Patricia A. Suchy Malcolm Richardson II James V. Catano Rachel Hall LSU 2009-07-14 text application/pdf http://etd.lsu.edu/docs/available/etd-07092009-032536/ http://etd.lsu.edu/docs/available/etd-07092009-032536/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Communication Studies
spellingShingle Communication Studies
Betancourt, Andr&eacutee Elise Comiskey
Under Construction: Recollecting the Museum of the Moving Image
description On February 27, 2008 the Museum of the Moving Image launched its $65 million renovation and expansion with a digital groundbreaking. Since opening its doors in Astoria, New York in 1988, the museum, originally devoted to film and television, has embraced digital media. From its Hollywood East Astoria Studio historic landmark site to its popular website, the Museum of the Moving Image provides a unique setting for studying the museumification of moving image culture, particularly the production and consumption of moving images. In response to the Museum of the Moving Images domestication of moving image culture in its core exhibition, <i>Behind the Screen</i>, this study recollects the museum and in doing so performs an alternative domestication. The alternative domestication modeled by this study involves critically touring and detouring the core exhibition in an effort to reframe notions such as home, family, work, and play in relation to moving image culture in a manner that extends beyond the walls of the museum and problematizes particular practices of display. In response to specific instances of domestication in <i>Behind the Screen</i>, the major stops on the tour are: the interactive Video Flipbook experience; the movie palace installation <i>Tuts Fever</i>, a commissioned art work by Red Grooms in collaboration with Lysiane Luong; and the artifact Martins First Haircut, a home movie produced in 1947 by Irving Shaw, the father of Rochelle Slovin, the museums founding director. Poised at a critical point in the museums development, this study is attentive to the transitory nature of museums, and it demonstrates ways in which we recollect our memories and ourselves through museum-going and technologies of reproduction.
author2 Ruth Laurion Bowman
author_facet Ruth Laurion Bowman
Betancourt, Andr&eacutee Elise Comiskey
author Betancourt, Andr&eacutee Elise Comiskey
author_sort Betancourt, Andr&eacutee Elise Comiskey
title Under Construction: Recollecting the Museum of the Moving Image
title_short Under Construction: Recollecting the Museum of the Moving Image
title_full Under Construction: Recollecting the Museum of the Moving Image
title_fullStr Under Construction: Recollecting the Museum of the Moving Image
title_full_unstemmed Under Construction: Recollecting the Museum of the Moving Image
title_sort under construction: recollecting the museum of the moving image
publisher LSU
publishDate 2009
url http://etd.lsu.edu/docs/available/etd-07092009-032536/
work_keys_str_mv AT betancourtandreacuteeelisecomiskey underconstructionrecollectingthemuseumofthemovingimage
_version_ 1716477815133569024