Dragons Behind Glass: Views of China and Japan in Three American Museums

This thesis will focus on three museums: the American Museum of Natural History in New York, New York, the Mobile Museum of Art in Mobile, Alabama and the Morikami Museum in Del Ray Beach, Florida. Overall the museums took surprisingly different approaches to designing their exhibits. The American M...

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Main Author: Polizzi, Kristina Elaine
Other Authors: Paul Farnsworth
Format: Others
Language:en
Published: LSU 2007
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-07042007-120232/
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spelling ndltd-LSU-oai-etd.lsu.edu-etd-07042007-1202322013-01-07T22:51:19Z Dragons Behind Glass: Views of China and Japan in Three American Museums Polizzi, Kristina Elaine Geography & Anthropology This thesis will focus on three museums: the American Museum of Natural History in New York, New York, the Mobile Museum of Art in Mobile, Alabama and the Morikami Museum in Del Ray Beach, Florida. Overall the museums took surprisingly different approaches to designing their exhibits. The American Museum of Natural History gave a general overview of Japan and China. The Mobile Museum of Art focused only on pottery and the Morikami Museum focused on the Japanese immigrants that settled in Del Ray Beach. Differences and similarities of these museums and what these exhibits tell the viewer about the two cultures will be addressed in this thesis. It will present a view on what these museums could have done differently to better explain the uniqueness of Japan and China. The American Museum of Natural History and the Mobile Museum of Art presented Japan and China as static and unchanging cultures; this is far from the truth. On the other hand, the Morikami Museum showed how the Japanese immigrant community is a rich community that has changed over time. The Morikami Museum created a unique exhibit that immersed the viewer into the Japanese culture and really showed what meaning the artifacts held in the culture, which is something the other museums failed to do. Paul Farnsworth Jill Brody Miles E. Richardson LSU 2007-07-10 text application/pdf http://etd.lsu.edu/docs/available/etd-07042007-120232/ http://etd.lsu.edu/docs/available/etd-07042007-120232/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Geography & Anthropology
spellingShingle Geography & Anthropology
Polizzi, Kristina Elaine
Dragons Behind Glass: Views of China and Japan in Three American Museums
description This thesis will focus on three museums: the American Museum of Natural History in New York, New York, the Mobile Museum of Art in Mobile, Alabama and the Morikami Museum in Del Ray Beach, Florida. Overall the museums took surprisingly different approaches to designing their exhibits. The American Museum of Natural History gave a general overview of Japan and China. The Mobile Museum of Art focused only on pottery and the Morikami Museum focused on the Japanese immigrants that settled in Del Ray Beach. Differences and similarities of these museums and what these exhibits tell the viewer about the two cultures will be addressed in this thesis. It will present a view on what these museums could have done differently to better explain the uniqueness of Japan and China. The American Museum of Natural History and the Mobile Museum of Art presented Japan and China as static and unchanging cultures; this is far from the truth. On the other hand, the Morikami Museum showed how the Japanese immigrant community is a rich community that has changed over time. The Morikami Museum created a unique exhibit that immersed the viewer into the Japanese culture and really showed what meaning the artifacts held in the culture, which is something the other museums failed to do.
author2 Paul Farnsworth
author_facet Paul Farnsworth
Polizzi, Kristina Elaine
author Polizzi, Kristina Elaine
author_sort Polizzi, Kristina Elaine
title Dragons Behind Glass: Views of China and Japan in Three American Museums
title_short Dragons Behind Glass: Views of China and Japan in Three American Museums
title_full Dragons Behind Glass: Views of China and Japan in Three American Museums
title_fullStr Dragons Behind Glass: Views of China and Japan in Three American Museums
title_full_unstemmed Dragons Behind Glass: Views of China and Japan in Three American Museums
title_sort dragons behind glass: views of china and japan in three american museums
publisher LSU
publishDate 2007
url http://etd.lsu.edu/docs/available/etd-07042007-120232/
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