Internal Spaces
The abstract paintings in this thesis exhibition are about spatial relations deriving from landscapes. Memory, moods, feelings, and intuition, as well as color relations, shapes, expressive brushstrokes, and the paint itself are important elements in achieving the intended meaning and effects. My me...
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ndltd-LSU-oai-etd.lsu.edu-etd-06012007-0950172013-01-07T22:51:12Z Internal Spaces Loch-Elvert, Regina Art The abstract paintings in this thesis exhibition are about spatial relations deriving from landscapes. Memory, moods, feelings, and intuition, as well as color relations, shapes, expressive brushstrokes, and the paint itself are important elements in achieving the intended meaning and effects. My method involves painting and over-painting, changing the painting constantly until it is what I wanted it to become without knowing it in advancea process in which the painting eventually becomes itself by its own volition. But when do I feel my painting is really finished? I feel like an adventurer, a discoverer, when I paint; I want something challenging and rewarding to emerge from my painting. I have to accept a certain mystery about the end of things. I see my art as a search for spiritual meaning and as a way of living, both of which emerge through the energy I expend in its execution. Roderick Parker Christopher Johns Mark Zucker Melody Guichet Michael Crespo LSU 2007-06-04 text application/pdf http://etd.lsu.edu/docs/available/etd-06012007-095017/ http://etd.lsu.edu/docs/available/etd-06012007-095017/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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The abstract paintings in this thesis exhibition are about spatial relations deriving from landscapes. Memory, moods, feelings, and intuition, as well as color relations, shapes, expressive brushstrokes, and the paint itself are important elements in achieving the intended meaning and effects. My method involves painting and over-painting, changing the painting constantly until it is what I wanted it to become without knowing it in advancea process in which the painting eventually becomes itself by its own volition. But when do I feel my painting is really finished? I feel like an adventurer, a discoverer, when I paint; I want something challenging and rewarding to emerge from my painting. I have to accept a certain mystery about the end of things. I see my art as a search for spiritual meaning and as a way of living, both of which emerge through the energy I expend in its execution. |
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Roderick Parker |
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Roderick Parker Loch-Elvert, Regina |
author |
Loch-Elvert, Regina |
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Loch-Elvert, Regina |
title |
Internal Spaces |
title_short |
Internal Spaces |
title_full |
Internal Spaces |
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Internal Spaces |
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Internal Spaces |
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internal spaces |
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LSU |
publishDate |
2007 |
url |
http://etd.lsu.edu/docs/available/etd-06012007-095017/ |
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AT lochelvertregina internalspaces |
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