Inscapes of Unrequited Belonging
This thesis is about my journey through lifememories of the past, experiences of the present and premonitions of the futureand how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get ferme...
Main Author: | |
---|---|
Other Authors: | |
Format: | Others |
Language: | en |
Published: |
LSU
2010
|
Subjects: | |
Online Access: | http://etd.lsu.edu/docs/available/etd-05252010-141807/ |
id |
ndltd-LSU-oai-etd.lsu.edu-etd-05252010-141807 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-LSU-oai-etd.lsu.edu-etd-05252010-1418072013-01-07T22:52:50Z Inscapes of Unrequited Belonging Banerjee, Debangana Art This thesis is about my journey through lifememories of the past, experiences of the present and premonitions of the futureand how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my mental state. Growing up in India, I feel like an outsider in this country; at the same time, being a part of the university community, I also feel like an insider. The landscape of Baton Rouge offers me plenty of similarities with my home town, Santiniketan, but it also provides profound contrasts in culture, language and people. From the very beginning my relationship with this place has been marked with a tension and contradictory emotionsa push of alienation and a pull of deep intimacy. In my inscapes I articulate all these different emotional tensions for the viewers. Zucker, Mark Kelley, Kelli Scott Crespo, Michael Arp, Kimberly P Koptcho, Leslie LSU 2010-05-26 text application/pdf http://etd.lsu.edu/docs/available/etd-05252010-141807/ http://etd.lsu.edu/docs/available/etd-05252010-141807/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
collection |
NDLTD |
language |
en |
format |
Others
|
sources |
NDLTD |
topic |
Art |
spellingShingle |
Art Banerjee, Debangana Inscapes of Unrequited Belonging |
description |
This thesis is about my journey through lifememories of the past, experiences of the present and premonitions of the futureand how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my mental state. Growing up in India, I feel like an outsider in this country; at the same time, being a part of the university community, I also feel like an insider. The landscape of Baton Rouge offers me plenty of similarities with my home town, Santiniketan, but it also provides profound contrasts in culture, language and people. From the very beginning my relationship with this place has been marked with a tension and contradictory emotionsa push of alienation and a pull of deep intimacy. In my inscapes I articulate all these different emotional tensions for the viewers.
|
author2 |
Zucker, Mark |
author_facet |
Zucker, Mark Banerjee, Debangana |
author |
Banerjee, Debangana |
author_sort |
Banerjee, Debangana |
title |
Inscapes of Unrequited Belonging |
title_short |
Inscapes of Unrequited Belonging |
title_full |
Inscapes of Unrequited Belonging |
title_fullStr |
Inscapes of Unrequited Belonging |
title_full_unstemmed |
Inscapes of Unrequited Belonging |
title_sort |
inscapes of unrequited belonging |
publisher |
LSU |
publishDate |
2010 |
url |
http://etd.lsu.edu/docs/available/etd-05252010-141807/ |
work_keys_str_mv |
AT banerjeedebangana inscapesofunrequitedbelonging |
_version_ |
1716477731271606272 |