Costume Crafts An Exploration Through Production Experience

The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to cre...

Full description

Bibliographic Details
Main Author: Hathaway, Michelle L.
Other Authors: Bussolati, Eugene
Format: Others
Language:en
Published: LSU 2010
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-04162010-152611/
id ndltd-LSU-oai-etd.lsu.edu-etd-04162010-152611
record_format oai_dc
spelling ndltd-LSU-oai-etd.lsu.edu-etd-04162010-1526112013-01-07T22:52:36Z Costume Crafts An Exploration Through Production Experience Hathaway, Michelle L. Theatre The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to create that Designers vision. This project included two productions set in adjacent time-periods. The first step in the process was to research millinery fashions from 1910 through 1927 thus encompassing the time-periods set for each production. This research included the prevailing fashions of the day, the available materials, fabrics, and techniques employed in creating millinery. The next step involved meeting with each Costume Designer to assess the projected millinery requirements for each production. Although modern materials and fabrics are different from their historical counterparts, the actual creation of the millinery for each production employed many of the same techniques used during the time-periods in question. While exact historical representation is not the overall goal in theatrical millinery a complete understanding of historical materials and techniques can aide in a pleasing impression of a given era. Bussolati, Eugene Murphy, James Fisher, Billie Jo LSU 2010-04-26 text application/pdf http://etd.lsu.edu/docs/available/etd-04162010-152611/ http://etd.lsu.edu/docs/available/etd-04162010-152611/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Theatre
spellingShingle Theatre
Hathaway, Michelle L.
Costume Crafts An Exploration Through Production Experience
description The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to create that Designers vision. This project included two productions set in adjacent time-periods. The first step in the process was to research millinery fashions from 1910 through 1927 thus encompassing the time-periods set for each production. This research included the prevailing fashions of the day, the available materials, fabrics, and techniques employed in creating millinery. The next step involved meeting with each Costume Designer to assess the projected millinery requirements for each production. Although modern materials and fabrics are different from their historical counterparts, the actual creation of the millinery for each production employed many of the same techniques used during the time-periods in question. While exact historical representation is not the overall goal in theatrical millinery a complete understanding of historical materials and techniques can aide in a pleasing impression of a given era.
author2 Bussolati, Eugene
author_facet Bussolati, Eugene
Hathaway, Michelle L.
author Hathaway, Michelle L.
author_sort Hathaway, Michelle L.
title Costume Crafts An Exploration Through Production Experience
title_short Costume Crafts An Exploration Through Production Experience
title_full Costume Crafts An Exploration Through Production Experience
title_fullStr Costume Crafts An Exploration Through Production Experience
title_full_unstemmed Costume Crafts An Exploration Through Production Experience
title_sort costume crafts an exploration through production experience
publisher LSU
publishDate 2010
url http://etd.lsu.edu/docs/available/etd-04162010-152611/
work_keys_str_mv AT hathawaymichellel costumecraftsanexplorationthroughproductionexperience
_version_ 1716477682970001409